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Good for your gut

Good for your gut

Give the Mylanta a miss. When tummy troubles strike, try these natural stomach soothers to relieve unwelcome gurgles, hiccups and burps.

Get herbal help

  • Ginger has antispasmodic properties and is excellent for settling stomach upsets and easing nausea. Take it in capsule form; or, nibble candied ginger.

  • A cup of chamomile tea will relieve indigestion and wind because it acts as a carminative, meaning it releases gas from the gut.

  • Peppermint oil soothes intestinal cramps and relieves bloating. It is best taken as slow-release capsules like Mintec, available at www.epharmacy.com.au.

  • Chew fennel seeds. They contain oils that soothe stomach spasms and control flatulence. That’s why Indian restaurants set out dishes of them for customers.

Seek a supplement

  • Constant bloating may signal an imbalance in gut microflora, which can be improved by taking a probiotic supplement containing live cultures of Lactobacilli bacteria: acidophilus and bifidus. Read labels carefully. To have a therapeutic effect, a probiotic supplement should contain at least 1 billion live organisms per dose. Foods that encourage ‘friendly’ bacteria in the gastrointestinal tract include milk products (e.g. yoghurt and whey powder) and fermented foods (miso, kimchi and sauerkraut). Some experts recommend ‘feeding’ these beneficial bugs with complex carbohydrates known as prebiotics. Barley, beans, dandelion greens and chicory are good sources, but any whole grains and high-fibre foods will do.

  • Artichoke-leaf extract contains fructo-oligosaccharides (FOS) which stimulate bile production, and so improve digestion. It is available in tablet and capsule form in healthfood stores, or from www.thexton.com.au.

  • Licorice root has been used since ancient times to treat indigestion and modern research confirms its benefits. A particular form known as DGL (deglycyrrhizinated licorice) is excellent for soothing stomach upsets by coating the lining of the oesophagus and stomach. It is most effective when taken as a chewable wafer, as it works best when mixed with saliva.

  • A homoeopathic remedy can be closely matched to your symptoms: for example, Nux vomica for a recurring sour taste, nausea and burping; Arsenicum album for thirstiness and heartburn; Ipecacuanha for excess saliva and hiccups. To find a homoeopath near you, visit www.homeopathyoz.org.

Try a little ‘nanna know-how’

  • Indigestion can result from too little stomach acid as well as too much. An old tried-and-true solution is to drink a teaspoon of apple cider vinegar stirred into a glass of water, especially after a rich meal. Add a little honey if you wish.

  • Stir a teaspoon of bicarbonate of soda (bicarb) into a glass of water and drink it. This neutralises stomach acid and relieves wind.

  • Practise prevention: Eat little, slowly and often to minimise stomach acid production; avoid fatty foods, coffee, and alcohol; and eat your last meal of the day at least three hours before bedtime. Be wary of fruit juice and dairy products – fruit juice contains fructose, which can cause wind; an inability to digest lactose, a sugar found in milk, could make you feel gassy.

** Note If you take cyclosporine (a drug for rheumatoid arthritis), check with your doctor before taking peppermint oil. Peppermint can reduce milk flow, so use with caution if breast-feeding. Don’t take pure licorice – as opposed to the DGL form described here – if you have high blood pressure, as it can elevate blood pressure. Avoid ginger if you suffer from gastric ulcers, and fennel if you’re an epileptic. Do not take bicarb if you have high blood pressure and/or are on a low-sodium diet as it is high in sodium.*

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I accidentally got the nursing home drunk

I used to work as a cook in the local nursing home. I really enjoyed my work, and strived to make food that was enjoyable for the old dears, who didn’t always have a lot else to look forward to. Then I’d go out and sit with them after lunch, chatting with the many who never seemed to have any family or friends to talk to.

The nurse in charge of the ward was mean and ran the nursing home like it was a prison. She treated the other nurses like they were incapable of doing their jobs and as for the patients it was as though she was trying to suck the last moments of joy from their lives.

There were so many pointless rules: no liquids in the bedroom, no cups of tea after dinner, no magazines to be taken out of the visitors’ room, no personal items to be taken into the visitors’ room. And the volume on the television must be kept down even though half of the elderly residents were as deaf as posts! They were too frightened to say a word.

But the number one rule of the nursing home was absolutely no alcohol. Ever. Under any circumstances. When Nurse Joanne was on the ward, I looked around me, and all I saw was misery.

I think this is the rule that I had the most trouble with. I didn’t want them to be getting blind roaring drunk every night — not at all — but many of the residents were quite used to their evening tipple of sherry or gin. But now, even if they lived to celebrate some milestone like their 100th birthday, they weren’t allowed to touch a drop. Many of them did celebrate such milestones, or occasions like the birth of a great grandchild, or a wedding they couldn’t attend. And they couldn’t celebrate it with anything stronger than a cup of weak, bitter coffee!

I decided that something had to be done. This resolution became all the stronger when one of my favourites, a long-time resident named Hazel, turned 90. A favourite of all the staff, and with very few family members around, it was decided that we would throw her a little party.

I decided to put on a very special menu for her that included my famous chocolate mousse. My mousse was a real treat: rich, chocolatey and decadent it also had a very illicit ingredient: brandy. Not much, of course, but I liked the idea that they would even get a taste of the forbidden. It would only be a tiny breaking of the rules, but I got please from the fact just the same.

The day of the party was frantically busy. This was only one special meal — I still had to cook breakfast, and prepare dinner for the day, on top of the special catering I was doing. So I blame my stress on what happened when I opened the brandy bottle: Working with too much haste (and oily hands) the bottle slipped out of my hands as I was pouring the prescribed half a cup into the bowl.

I watched in horror as the contents of half the bottle soaked into the delicious cream and chocolate. It was ruined! I didn’t have any more cream or chocolate, so I wasn’t going to be able to serve my famous mousse. I put it in the fridge to take home to my husband, who would eat anything.

After lunch, however, there was uproar. I’d promised a dessert, and they wanted it! Mulling it over, I decided to serve it. It would be too alcoholic — they wouldn’t like it, wouldn’t eat it and therefore it wouldn’t do any harm. I divided the mousse among the elderly residents until not a skerrick was left. And watched in amazement as each of them ate every last drop of my alcoholic chocolate mousse!

By the time Nurse Joanne arrived for her shift, many of the residents were completely drunk. Either slumped in their chairs, or laughing hysterically, it was clear to see they were intoxicated — many of them, after all, hadn’t had alcohol for years!

The head nurse was furious but, assuming that one of Hazel’s few visitors had smuggled the stuff in, my part in the debacle was never even under suspicion. There was no real harm done — a few sore heads, a few heavy bodies to be lugged off to bed, a few elderly people who wouldn’t do what they were told, for once — but I still smile to remember that my chocolate mousse accidentally got half a ward of a nursing home drunk!

Names in this story have been changed. Picture posed by model.

Your say: Have your say about this true confession below…

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*Still Alice*

Still Alice by Lisa Genova

Exclusive extract from The Australian Women’s Weekly Great Read, March issue Still Alice (Simon and Schuster) by Lisa Genova.

“John?”

Alice waited, suspended in the front hallway, holding the handle of her suitcase. Harvard Magazine lay on the top of a pile of unclaimed mail strewn on the floor in front of her. The clock in the living room ticked and the refrigerator hummered. A warm, sunny late afternoon at her back, the air inside felt chilly, dim, and stale.

Uninhabited.

She picked up the mail and walked into the kitchen, her suitcase of wheels accompanying her like a loyal pet. Her flight had been delayed, and she was late getting in, even according to the microwave. He’d had a whole day, a whole Saturday, to work.

The red voicemail light on the answering machine stared her down, unblinking. She checked the refrigerator. No note on the door. Nothing.

Still clutching the handle of her suitcase, she stood in the dark kitchen and watched several minutes advance on the microwave. The disappointed but forgiving voice in her head faded to a whisper as the volume of a more primal one began to build and spread out. She thought about calling him, bu the expanding voice rejected the suggestion outright and refused all excuses. She thought about deciding not to care, but the voice, now seeping down her body, echoing in her belly, vibrating in each of her fingertips, was too powerful and pervasive to ignore.

Why did it bother her so much? He was in the middle of an experiment and couldn’t leave it to come home. She’d certainly been in his shoes innumerable times. This was who they were. The voice called her a stupid fool. She spotted her running shoes on the floor next to the back door. A run would make her feel better. That was what she needed.

Ideally she ran every day. For many years now, she treated running like eating and sleeping, as a vital daily necessity, and she’d been known to squeeze in a jog at midnight or in the middle of a blinding snowstorm. But she’d neglected this basic need over the last several months. She’d been so busy. As she laced her shoes, she told herself she hadn’t bothered bringing them with her to California because she’d knows she wouldn’t have the time. In truth, she’d simply forgotten to pack them.

When starting from her house on Poplar Street, she invariably followed the same route – down Massachusetts avenue, through Harvard Square to Memorial Drive, along the Charles River to the Harvard Bridge over by MIT, and back, a little over five miles, a forty-five minute round trip. She had long been attracted to the idea of running in the Boston marathon but each year decided that she realistically didn’t have the time to train for that kind of distance. Maybe some day she would. In excellent physical condition for a woman her age, she imagined running well into her sixties.

Clustered pedestrian traffic on the sidewalks and intermittent negotiations with car traffic in intersections littered the first part of her run down Massachusetts Avenue and through Harvard Square. It was crowded and ripe with anticipation at that time of day on a Saturday, with crowds forming and milling around on street corners waiting for walk signals, outside restaurants waiting for tables, in movie theatres lines waiting for tickets, and in double-parked cars, waiting for an unlikely opening in a metered space. The first ten minutes of her run required a good deal of conscious external concentration to navigate through it all, but once she crossed Memorial Drive to the Charles Rover, she was free to run in full stride and completely in the zone.

A comfortable and cloudless evening invited a lot of activity along the Charles, yet it felt less congested than the streets of Cambridge. Despite a steady stream of joggers, dogs and their owners, walkers, rollerbladers, cyclists, and women pushing babies in jogger strollers, like an experienced driver on a regularly traveled stretch of road, Alice only retained a vague sense for what went on around her now. As she ran along the river, she became mindful of nothing but the sounds of her Nikes hitting the pavement in syncopated rhythm with the pace of her breath, She didn’t replay her argument with Lydia. She didn’t acknowledge her growling stomach, She didn’t think about John. She just ran.

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Autumn Envy

You see them in every gardening magazine – page after page of autumn glories, trees in every shade of red, orange, purple, gold and yellow. But sadly in Australia you need ‘two jumpers and a pair of long Johns’ winters to really get great autumn foliage – and even then, the chances are that your water-loving birches, maples and oaks will have died of thirst in summer’s heat…

Luckily there are some great drought and heat hardy trees around that will give you brilliantly coloured leaves all summer as well as autumn. The ones below will grow in any climate. In cold districts they’ll give a display of quite different autumn colours; in warmer climates you will be rewarded with a longer leaf and flowering season instead.

Coloured-leaf plums:

These are one of my favourites – yummy fruit plus stunning foliage. But do be careful – if you want fruit make sure you have a fruiting cultivar – it’ll say if it’s a fruiting tree or strictly ornamental on the label. If you don’t want the work (and mess) of squishy plums in summer, only buy the ‘flowering’ varieties that do not set fruit.

Prunus nigra has the darkest purple leaves. P. cerasifera ‘Pissardii’ is deep red with a hint of purple too. Look out for the rare P. x blireana too, with rich coppery gold leaves. All have bright pink flowers and make a stunning spring display, as well as their summer glories.

Coloured-leaf crab apples:

There are quite a few crab apples with copper, purple or red leaves. They all have fabulous spring flowers too, as well as hard decorative small fruit, from cherry size to glowing red yellow or multicoloured fruit the size of a small egg.

Crab apples are surprisingly drought tolerant once established – one of the hardiest trees you can grow. Birds adore both blossom and fruit, and you might even be inspired to make crab apple jelly – a lovely translucent thing you’ll never find in supermarkets.

Smoke Bush (Cotinus spp):

I adore smoke bush. Take everything I say about them with a grain of salt, because I admit my bias. But how can you not passionately love a tree that gives you rich purple, red or scarlet shaded leaves, a haze of red flowers – just like coloured smoke – all summer and into autumn, plus, in colder climates, a briliant change of colour each autumn. Even the trunks are beautiful being bare and shapely in winter.

My real adoration though comes from their hardiness. I have six smoke bushes now, some put in during the horror summer of 2003 when it didn’t really rain for eleven and a half months with gale-force bush fire winds. And not one of the little darlings turned up its toes, even with no watering from me (we had none to give them) and when even grevilleas were dying.

Smoke bush tolerates full baking sun or light shade; they cope with any soil, cold, frost, drought, heat… the only problem is the occasional too heavy panicle of blooms after rain, that can droop down till a branch breaks. But even that is pretty rare. The same panicles also make for stunning flower arrangements.

Smoke bushes can be pruned into a hedge, but are really best allowed to grow to their full 2 to 3 metre height by themselves. Look for Cotinus ‘Grace’ with it’s purple leaves and soft powdery bloom over them. Cotinus coggygria ‘Velvet Cloak’ is a darker richer purple producing rich red autumn colours. Cotinus c. ‘Golden Spirit’ is a brilliant yellow to rich gold, depending on how much sunlight it gets.

There are other smoke bushes too, green leafed or green shaded with a tinge of red. And all are simply magic. Who needs autumnal oaks and maples when you have brilliant hardy smokebush, crabs or plums in your garden?

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Six races, six faces

Australia is known for its ethnic diversity. From Indigenous to blonde, Mediterranean, Asian, Celtic and dark-skinned, Australian multi-cultural beauty embraces all races, skin tones, hair and eye colouring and exudes a fresh and natural appeal, which reflects the vibrant, laid-back spirit of the country.

Knowing which make-up shades suit different skin tones, hair and eye colouring can be challenging. Here top make-up artists embrace Australia’s ethnic diversity and find mistake-proof multi-cultural make-up for everyone.

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Six races, six faces: Celtic colouring – red hair and pale skin

Australia is known for its ethnic diversity. From Indigenous to blonde, Mediterranean, Asian, Celtic and dark-skinned, Australian multi-cultural beauty embraces all races, skin tones, hair and eye colouring and exudes a fresh and natural appeal, which reflects the vibrant, laid-back spirit of the country.

This striking combination of red hair and light-toned skin can look sensational when the right make-up shades have been chosen. Beth Mumm, Clinique Director of Product Development Worldwide, says to start with foundation choice and when in doubt opt for a neutral base, which is not too pink.

“To check the true color of a foundation, apply an opaque swatch of at least three colours as close to your skin tone as possible, directly to your jawbone,” she advises. “Check the colour in natural daylight to see which is closest to the actual skin tone.”

Blush basics

Apply blush last as this way you can assess at the combination of the lips and eyes and how much or how little you will need to complete the look. “Always match your blush with the colour of your lipstick,” says Beth. “To create a very natural look use either a light bronzer or a brownish blush – keep it happy, dewy and fresh – just stay within the neutral palette.”

Lip tricks

Best to keep in mind the overall look and to balance complement eye shadow and it’s advisable to keep one feature as focus. If your eye makeup is light you can get away with darker lips, however if your eyes are dramatic, think about keeping the tone of your lips more subtle.

Eye style

Beth comments, “For pale skin use browny pinks, soft orange, burnt amber and straight-up browns. Make sure to use colours that are not too vibrant. If you have blue eyes make sure not to use any red, but keep a nice neutral wash.”

Check out other cultural make-up looks here…

Your Say: What makeup colouring do you think looks good on women with fair-skin or red hair? Share your experiences and ideas below…

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Six races, six faces: Australian indigenous

Australia is known for its ethnic diversity. From Indigenous to blonde, Mediterranean, Asian, Celtic and dark-skinned, Australian multi-cultural beauty embraces all races, skin tones, hair and eye colouring and exudes a fresh and natural appeal, which reflects the vibrant, laid-back spirit of the country.

The dark skin colouring of indigenous Australian women can be in many different shades and tones, but make-up artist Nadine Monley, who worked on our model Katie for this beauty story, says that it generally has an orange undertone. “Stay clear of pink tones as it makes the skin look redder,” she comments. “Go for more neutral, cooler tones to balance this out the undertones and enhance the complexion.” Sometimes there can be excess darkness under the eyes, and this can often be balanced by using an orange-based concealer.

Blush basics

Make-up artist Angie Barton who also worked on our shoot suggests sticking to “burnt” tones of terracotta or orange, which “looks fantastic on dark skin. You can even go for a playful look with hot pink or fuchsia,” she says. “Just avoid deep burgundy or purple.”

Lip tricks

For a natural look, Angie suggests emphasising the natural tone of the lip with a pink/brown lip pencil. Perhaps add a soft brown gloss. “When you want to make an impact, go for orange or red, with an orange undertone.”

Eye style

To give some width and openness to dark eyes, Angie likes to a little highlighter in the corner of the inner eye with a white highlighting pencil. “Dark eyes can be really emphasised by also using a dark or black kohl pencil under the eyes to draw out their depth,” she says. Opt for a vibrant colour eyeshadow such as blue, or purple to make the brown eyes “pop”. “When you have dark eyes you can certainly get away with vivid tones,” she adds. “But avoid pinks as they can make the eyes look bloodshot.”

Check out other cultural make-up looks here…

Your Say: What makeup style do you think looks great on Indigenous Australian women? Share your ideas below…

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Six races, six faces: Fair-skinned blondes

Australia is known for its ethnic diversity. From Indigenous to blonde, Mediterranean, Asian, Celtic and dark-skinned, Australian multi-cultural beauty embraces all races, skin tones, hair and eye colouring and exudes a fresh and natural appeal, which reflects the vibrant, laid-back spirit of the country.

Fair-skinned blondes

“Pale can be perfect with an essence of sophistication and fragility,” says Margaret Fisher, Max Factor Makeup Artist and National Training Manager for the Heat Group.

However she says, “Fair skin can sometimes look flat when any redness is eliminated, so opt for an illuminating foundation to give radiance and glow. I like to choose shades that are slightly more yellow rather than pink.” Try Max Factor Miracle Touch in Creamy Ivory or Warm Almond, $35, or Max Factor Age Renew in Creamy Ivory, $35.

Freckle face

“Having freckles gives your skin personality,” comments Margaret. Opt for a foundation that gives your skin warmth and vitality with a little bit of coverage. When choosing a shade go somewhere between the skin tone and the freckle – a product with a yellow undertone will usually work.

Blush basics

Be careful with bronzer avoid overly orange/tan shades as it just looks artificial. Over-use can give a muddy appearance to the skin. Pale pink and apricot blush, works well.

Lip tricks

Look for soft pastel tones, true and clean bright colours and rich burgundy shades. Avoid wearing dull brown tones or frosty pale greyish shades as they don’t give the complexion a lift. If there is any redness in the skin avoid blue based tones.

Eye style

Margaret believes cool tones work best for pale eyes. Colours like white, shell, grey, navy, slate and cooler brown tones such as Max Factor Earth Spirit Eye Shadow in Burnt Bark and Inca Bronze, $13, teamed with black mascara will make the eyes stand out. Stay clear of red tones as pinks, mauves, and red-toned purples make eyes look sore and tired.

Check out other cultural make-up looks here…

Your Say: What makeup techniques do you think work well for women with fair-skin and blonde hair? Share your thoughts below…

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Six races, six faces: Mediterranean/hispanic

Australia is known for its ethnic diversity. From Indigenous to blonde, Mediterranean, Asian, Celtic and dark-skinned, Australian multi-cultural beauty embraces all races, skin tones, hair and eye colouring and exudes a fresh and natural appeal, which reflects the vibrant, laid-back spirit of the country.

Women with a Mediterranean or Hispanic background normally feature darker olive skin, lustrous dark hair and rich brown eyes. When selecting foundation for these women make-up guru Napoleon Perdis says there are two main things you must consider – skin undertone, which is usually either yellow or pink, and how light or dark they are.

“Although not necessarily true for absolutely everyone, Mediterranean and Hispanic women generally have a yellow/olive/golden undertone to their skin as opposed to a pink or red undertone,” Napoleon comments.

“Foundations that have a golden tone instead of a beige undertone will blend better into the skin and look more natural.”

Blush basics

If you want to give your skin a healthy sunkissed look, Napoleon suggests dusting bronzer on the high points of the face that the sun naturally hits – cheekbones, bridge of the nose and centre of the forehead and chin.

Lip tricks

Shades of red, pinks or oranges to nudes will look great. Look for berry reds or brick reds with some depth to them. With oranges go for a softer coral shade, if the complexion is quite deep, too bright an orange can look fluorescent. Nudes will look amazing, stick to shades that are the same as the natural lip colour or a little deeper for that typical JLo look. Avoid shades with a silvery pearlescent finish as they can work against the natural undertone of the skin.

Eye style

Dark eyes look particularly striking in shades of blues, greens or pinks. “To make brown eyes look dark and chocolaty, use golds,” says Napoleon. “Deep plums will draw out any natural green flecks in the eyes making them appear more hazel, whereas charcoals will make brown eyes look a lighter amber brown,” he comments.

Check out other cultural make-up looks here…

Your Say: What makeup techniques do you think flatter Mediterranean or Hispanic women? Share your ideas below…

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Six races, six faces: Asian attributes

Australia is known for its ethnic diversity. From Indigenous to blonde, Mediterranean, Asian, Celtic and dark-skinned, Australian multi-cultural beauty embraces all races, skin tones, hair and eye colouring and exudes a fresh and natural appeal, which reflects the vibrant, laid-back spirit of the country.

Known for porcelain skin, almond eyes and beautifully shaped lips, Asian women need little make-up to enhance their unique features.

Says Nicola Burford, M.A.C Senior Artist, “Most Asian skins have a yellow or golden undertone to them, so they need a foundation colour that has a yellow or golden undertone as well. “

She adds, “Often, if the skin is tanned, a warmer peach undertone foundation is appropriate.”

Blush basics

Blush looks best when applied to the apples of the cheek as this is where you would naturally blush. Says Nicola, “One of my all-time favourites on an Asian skin is MAC Pinch O’Peach Blush, $40.”

Lip tricks

Most colours suit Asian skin tones, but flattering natural shades can include plums, cool pinks, brick reds and taupes.

Eye style

“Dark hair, dark eyes and a golden skin tone complement any choices from the richest blacks and purples to the softest pastel hues,” comments Nicola.

Check out other cultural make-up looks here…

Your Say: What makeup colours do you think suit Asian women? Share your thoughts below…

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