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Rebecca Gibney Exclusive: why are women over 50 invisible?

Rebecca Gibney talks exclusively to The Weekly about why actresses over 50 are forgotten - and what's she's going to do about it.
A woman with blonde hair smiling, wearing a white outfit and a star necklace, set against a light blue background.

Rebecca Gibney has a desire โ€“ to create more roles for actresses as they age. But rather than just talk about it, sheโ€™s doing something about it, writing a film she hopes to set in her native New Zealand.

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Rebecca is ranked among our most successful actresses โ€“ credited with creating one of TVโ€™s most-loved characters in Juliet Rafter. When Packed to the Rafters finished in 2013, Rebecca pledged to step behind the camera as well, which led to her launching a production company with husband Richard Bell.

It was partly driven by Rebeccaโ€™s desire to create more roles for actresses as they age. The screen star says that while she has seen a growth in parts for the over 60s โ€“ such as Judi Dench and Maggie Smith โ€“ her own age group is still under represented.

โ€œThere seems to be a gap for actresses in their 40s and 50s, and my goal is to get some more normal, middle-aged women up on the big screen. I believe there is a market for it.โ€

Having said that, Rebecca herself has broken through the age barrier and at 50 is busier than ever, appearing in the tele-move The Killing Field and its spin-off crime series, Winter. She recently wrapped filming on feature movie The Dressmaker with Kate Winslet and has commenced work on a television doco-drama about entertainer Peter Allen. But, she says, she had to actively pursue and create the opportunities.

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โ€œI am in a fortunate position because of my profile in Rafters and I have capitalised on that โ€“ but I quickly recognised that I couldnโ€™t just sit and wait for the roles to come in. I still audition and I still chase parts, and if the roles arenโ€™t there I go and write them or knock on doors and get someone else to.โ€

In The Killing Field Rebecca plays Detective Eve Winter, who she says is a deliberate shift away from Julie Rafter. โ€œJulie became such a huge part of the Australian culture and remains very loved.

I still walk down the street and people say, โ€˜When is Julie coming back? We love her!โ€™ but I needed to play someone completely different โ€“ Iโ€™m an actor and I need to stretch myself. I would have done myself and the public a disservice if I had played another version of Julie so I went to the network [Australiaโ€™s Channel Seven] and said, โ€˜I really want to do a show in the crime genre.โ€™โ€

Rebecca Gibney in her shoot with the Australian Womenโ€™s Weekly

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She was soon presented with a version of The Killing Fields, which at her request was rewritten with a female detective as the lead.

โ€œA lot of women come up to me in the street going,โ€˜ Oh my God, I love this new character,โ€™โ€ she says proudly. โ€œShe is a strong, single, independent older woman forging ahead in a predominantly male world.โ€

And while the production is not her own, the opportunity to co-produce the show has been a good warm-up for her work with husband Richard.

โ€œI was one of a few voices, but I was heard, and now mine and my husbandโ€™s goal is to produce our own stuff. We donโ€™t just want to create projects for me โ€“ we want to create them for other women as well.โ€

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Itโ€™s hard to believe that Rebecca is 50 โ€“ but in fact her husband threw her a surprise 50th birthday party last December.

โ€œI thought I was going to spend the night on a boat with a couple of friends. Richard convinced me to go into a place for a drink first and there were about 100 people there from all areas of my life. They had flown in from New Zealand, all around Australia โ€“ one had even come from LA. A lot of the Rafters people were there too. It was just fantastic,โ€ she says warmly. โ€œRichard made a beautiful speech and he had put together a video of photos โ€“ I just cried all night.โ€

Rebecca Gibney appears as the cover story on the New Zealand edition of The Australian Womenโ€™s Weekly.

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