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Dying for cake

Read this extract from our May Great Read, Dying for Cake (Pan Macmillan Australian).

Read this extract from our May Great Read, Dying for Cake (Pan Macmillan Australian). I sit outside under a large white market umbrella, at a table with a mosaic of blue and green tiles embedded into the top. The tiles make a pattern that looks like waves frozen in the act of uncurling. I look at the tile and try to think about the sea. It doesn’t work. As I left my three year old onto my knee, the waitress brushes past us with a tray loaded with coffees and cake. Warm apple teacake. Lightly crusted on the outside with sugar and strewn with soft wedges of apple. The rich butter curls slide down the soft yellow crumbs and unfold onto the plate. I’m drowning. My mouth fills with water and I can barely breathe. I can’t afford to eat cake if I want to lose ten kilos. Least of all that teacake oozing with butter. Sixteen points! That’s nearly my whole day’s food quota under my Fat-Trimmers points plan. So, when my skinny-chino arrives, I try to make the sweet froth last as I juggle Sam on my knee. ‘More frop,’ he says, grabbing the spoon, and he makes me spoon so much froth into his mouth that I’m going to have to order another skinny-chino before the others get here. And maybe a baby-chino for him, just so I can at least get the sugar kick from the chocolate sprinkled on top. Even just a little taste of something sweet…but it’s like throwing matchsticks into a fire and it never satisfies me for long. Sam’s a big boy for three. Long legs and big feet, puffy inside his sandals. Smelly feet too. He sweats a lot, especially in the heat. Even though it’s march now, there’s still enough heat in the midday sun to start him sweating. As he leans back on me and his Paddle Pop trickles down my arm, I smell the savoury sweat in his hair. That smell and the quick beat of his heart remind me of the rabbit I owned as a child. I remember holding that rabbit up to my face and inhaling the smell of grass and sun and sweat. I remember feeling its heart beating against my cheek. I look at him, Sam, my only baby now Jake’s at pre-school. I stroke the soft pink cheek and stare at the long-lashed eyes and I feel like I’m going to explode with love. It’s moments like these when I can’t understand Evelyn at all. Why doesn’t she tell us what happened? Why does she just sit all closed up and silent? If it were my baby… People talk. They talk about Evelyn and they say that she won’t ever get better. They say she’s trying to protect herself. I don’t think like that. I won’t think like that. She was my friend and I can’t think of a reason why she would have done what people are saying she did. When I think back to the weeks before it happened, my mind’s full of empty spaces. I do remember this one day when something wasn’t quite right. Evelyn walked into the café for coffee, after she’d dropped William at preschool. It was the first time I’d seen her out and about since the baby was born. Clare had been doing the drop-offs and pick-ups for her. I remember thinking what a beautiful baby she had. Tiny little Amy, only four weeks old. Evelyn didn’t look beautiful. She looked worn out, and while the rest of us gooed at the baby she just sat there melting in the summer sun like Sam’s ice-cream. She was quiet too, too quiet, and when she looked at me she looked straight through me as if I wasn’t really there at all. And was just before…No, I mustn’t. I mustn’t make the connections that everyone else has been making. All the new mums get tired. Amy was stolen. That’s what I believe. The day Amy disappeared, Evelyn went queer. She didn’t explode. She’s not the exploding kind. She kind of did the opposite. She imploded. I think that’s the word. Kind of caved in on herself and shrunk away until she certain wasn’t anyone I could recognise. Yet sometimes I wonder whether, in the moment before she completely lost it, Evelyn did let it all out. At least that would have been gutsy, to yell and scream and kick like a wild thing. I like to think she did but somehow I doubt it. It would be so out of character for Evelyn. Evelyn was always way too well mannered to make a fuss. In any argument she was the first to back down and could put us all to shame just by being so nice. Nice. That was my impression of her when we met on the day our children started preschool. Evelyn was helping the teacher soothe five howling four-year-olds. She held two of them in her lap but only one of them, William, was hers. The other kid was wrapped around her neck and screaming for his mother. Evelyn was crying too. Big drops of empathy rolled down her cheeks. ‘I feel so sill,’ she said to me, embarrassed by her tears. ‘I just can’t help myself when everyone else is doing it!’ I liked Evelyn from the beginning. I tried to prise the kid loose – the one that wasn’t hers. His grip around her neck was so tight that she was beginning to choke but the kid just wouldn’t come off. I was grateful when my old friend Susan arrived with her daughter, Laura. She shook her head at the chaos and took control straight away. It was Susan who suggested that the mums make a quick exit and go for coffee at the Vista café. So a small group of us did. We had coffee and cake and enjoyed ourselves so much that we decided to meet regularly. I remember how Evelyn laughed that first day. Her green eyes glistened. She was so different then from the time after Amy was born. I can’t remember what we talked about. Probably our kids. We were all going through the same stuff. I can remember the taste of the mud cake I shared with Evelyn. T was made with dark chocolate, not just cocoa, and it was dense and moist and… It’s strange how this whole business has made me feel so hungry. I don’t like to analyse myself too closely but it’s weird that I should have this incredible longing – for cake. Sometimes I wonder if I’m just a little shallow. On the other hand, maybe I’m so deep I can’t even begin to sort myself out. All I know is that ever since Evelyn imploded – gee, I like that word – I’ve been dying. Day by day, a little bit more. Just dying for cake.

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Book gossip: May 2003

What will the next page of the publishing world reveal? Find out here!

What will the next page of the publishing world reveal? Find out here! Best-selling novelist Michael Crichton has had to part with $31 million to get out of his fourth marriage. The pay-out ends the Jurassic park author’s 14 year marriage to Anne-Marie Martin Crichton, who blames the break-up on his work schedule. Sharing a home with Crichton while he was writing, Anne-Marie said, was “like living with a body and Michael is somewhere else.” An interview with Graham Swift In London’s Daily Telegraph, reveals that even Booker Prize winners have their bad days: “You might as well say, ‘Oh, sod it.’ You often can’t explain to anyone, even the person closest to you, the meaning of what you did – or did not – do on a particular day. To say I didn’t write a single word, but I did a lot of thinking …it doesn’t really work, does it? So whether it’s going well or badly, it’s with you.” (Swift won the Booker Prize in 1996 with Last Orders. His latest book, The Light Of Day (Hamish Hamilton), was released last month). In 1986, US author Sue Miller (The Good Mother, While I was Gone and The World Below) found herself caring for her father after he developed Alzheimer’s disease. In an interview given to publicise her new book, The Story of My Father (Allen & Unwin), the 59 year old author is asked for any words of advice for a caregiver. “Just to really forgive yourself,” says Sue, “ to recognise that what you’re doing can’t be done, in a certain way. What one wants to do is to make a difference, of course. Though you can’t do anything about it, you feel maybe you can.” In the speech earlier this year, when Oprah Winfrey announced that she would soon begin to feature classic works of literature on her chat show, she revealed what books meant to her as a little girl growing up in Mississippi: “Books allowed me to see that there was a world beyond my grandmother’s front porch. That everybody didn’t have an outhouse, that everybody wasn’t surrounded by poverty, that there was a hopeful world out there and that it could belong to me.” Fans of the master thriller writer, Jeffrey Deaver, will be thrilled to know that he will be a star guest at the Sydney Writers’ Festival (19-25 May) and will also appear in Sydney at the Lindfield Bookshop on Tuesday May 13 at 6pm and at A&R Imperial Arcade on Wednesday May 14 at 6pm. His Melbourne appearances include: Collins Booksellers event at the Grand Hyatt at 12 noon drinks for 12.30pm lunch on Thursday May 15 and at Dymocks, 234 Collins St., at 1pm on Friday May 15. Deaver’s new novel, The Vanished Man was published last month along with the paperback version of The Stone Monkey. He has been nominated for five Edgar Awards from the Mystery Writers of America and is a three-time recipient of the Ellery Queen Reader’s Award for Best Short Story of the Year. According to the Drudge Report, former First Lady, Hillary Clinton, has already received $US2.8million cash advance on her memoirs due out in August, from a total deal valued at $US8million. Last heard, everyone, publishers included, were still waiting with baited breath to see the completed manuscript. Books Alive is what they’re calling the biggest cooperative promotion of books and reading ever undertaken in Australia. An $8million Federal Government initiative developed through the Australia Council, it will enable readers to buy a book by six high profile Australian writers for just $5 each, with the purchase of any other book. The promotion will run from August 2-15. James Patterson has turned back the clock for material for his latest bestseller, which went on sale in the US in March. The Jester is set during the Crusades of the 11th century and, in the words of book bible Publishers Weekly, is “packed with colourful details of medieval life, bursting with unforgettable characters.” In the 2002 trade bestsellers in the US only one book sold more than one million copies – The Fix-It and Forget-It Cookbook: Feasting with Your Slow Cooker by Dawn J Ranck and Phyllis Pellman Good. It outsold all of the Lord of The Rings movie tie-ins by at least one to two. Muhammad Ali is writing a book with his daughter, Hana, about his spiritual journey from world boxing champ to peace activist. Former US President Jimmy Carter has already written several non-fiction titles, but will now turn his hand to fiction. The Hornet’s Nest is believed to be the first novel ever written by a US chief executive.

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Nutrition iq test

Think you know a lot about health and nutrition? Take this quiz and see how much you really know!

Think you know a lot about health and nutrition? Take this quiz and see how much you really know! 1. Which of the following has the most vitamin C? a. Oranges b. Sweet potatoes c. Kale 2. Which kind of fat lowers the levels of ‘bad’ cholesterol (Low Density Lipoprotein, or LDL) in the blood? a. Polyunsaturated b. Monounsaturated c. They both do. 3. Which has more nutrients: a. A green capsicum, b. A red capsicum. c. Neither – they’re the same. 4. Which is the best way to satisfy a craving for salt? a. Watermelon b. Potato crisps c. Celery 5. Which has the least caffeine? a. A cup of coffee b. A shot of espresso c. A cup of black tea Click here for the answers

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Nutrition iq answers

1c: Kale has 80 mg a cup, while a medium orange has 70 mg and a medium sweet potato has 28 mg. 2c: They both do, but monounsaturated oils - found in olive oil, almonds and avocado - have the...

1c: Kale has 80 mg a cup, while a medium orange has 70 mg and a medium sweet potato has 28 mg. 2c: They both do, but monounsaturated oils – found in olive oil, almonds and avocado – have the extra advantage of lowering LDLs without affecting ‘good’ HDLs. 3b: A red capsicum has 9 times more beta carotene and twice the vitamin C of its green cousin. 4c: Though most plant foods don’t contain much sodium, celery is one of the few with enough (56 mg per stalk) to satisfy a craving for salt. 5b. Believe it or not, a shot of espresso has only 60 mg of caffeine, while strong black tea can have as much as 90 mg per cup and a cup of percolated coffee has the most, at up to 160 mg.

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Herbs and surgery

Herbs and Surgery Don’t Mix.

Many common healing herbs – like ginseng and St John’s wort – can increase your chance of problems during or after surgery, says the American Society of Anesthesiologists. Herbal remedies affect how your body reacts when you undergo surgery.

For instance, both ginkgo and feverfew can interfere with the blood-clotting process, St John’s wort can magnify the effects of some anaesthetic drugs, and ginseng can raise blood pressure and heart rate in some people. Your best bet is to consult a qualified naturopath or herbalist one month before surgery to find out how the herbs you’re taking may affect your operation. To find a naturopath in your area, contact the Australian Traditional Medicine Society on (02) 9809 6800.

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Bath bliss

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What is an eating disorder?

From The Australian Women’s Weekly Health Series Eating Disorders book. Click here to buy the book.

As the names indicate, eating or dieting disorders involve a struggle with eating and unreasonable dieting – strictly limiting the amount and types of food eaten, “losing control” and eating too much, or having to get rid of the food as soon as possible after eating.

However it is not only about eating. It is also about being unhappy with body shape, size or weight and the destructive effect this has on self-esteem, relationships and ability to cope with life generally.

How we think we look has become a crucial determinant of self-worth and happiness. The US magazine Glamour conducted a survey through the University of Cincinnati that asked 33,000 women questions about their body image – in other words how they perceived, and how they felt about, their bodies. Seventy-five per cent considered themselves to be too fat and 96 per cent said their weight affected how they felt about themselves.

Almost half of them said loosing weight would be a greater source of happiness than a relationship, success at work or hearing from an old friend. The figures in this part of the world are similar. For example, a Medical Journal of Australia report found that 20 per cent of the women surveyed resorted to drastic weight control methods while 17 per cent binged at least once per week. In a Cleo magazine survey of women and dieting, over half of the women taking part said they felt depressed about their weight and 73 per cent felt envious about someone else’s body every day.

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Lynette Wallworth creative works

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Q&a: Patti Miller

Author Patti Miller has been teaching people how to write their memoirs since 1991. She has had thousands of students from all over Australia attend her courses and has worked with a number of published authors. From 1984 to 1992, Patti was a lecturer in Writing & Literature at the University of Technology and the University of Western Sydney. Since 1991 she founded the Life Stories Workshops and has offered fiction and life writing workshops at Writers’ Centres, Community Centres and for Continuing Education at the University of Sydney.

Patti’s new book, Whatever the Gods Do (Random House $21.95), is the story of an extraordinary journey, which centres on Patti’s friendship with Kit and Dina. After Dina dies unexpectedly, Patti spends seven years caring and being ‘the second mother’ of the couple’s son, Theo. Patti is devastated when Theo’s father decides to move away to begin a new life. Desperately missing Theo and in need of something to distract her from her misery, Patti decides to give singing lessons a go.

**Q: How do you know where to start your life story?

A:** Where you start will be determined to some extent by whether you are writing your whole life story, (autobiography) or an aspect of your life, (memoir). They will clearly begin in different places, but both can begin in any number of ways – with a memory, a fact, an anecdote, a symbolic image, or a philosophical comment. Whichever you chose, it will be more powerful if it says something significant about your life. I like best the idea of starting with an early memory, because early memories are nearly always significant. But you don’t have to start at the chronological beginning. For example, I began Whatever The Gods Do with a image of myself singing which is really the end of the story.

**Q: What qualities make a great memoir?

A:** For me, a great memoir illuminates what it is like for a particular person to be here set down in the mystery of the world. I am not very interested in achievements, or even all the events of someone’s life, what I am interested in is how they see and experience their world, whether it is the world of fame and public success or the world of their own family and back-yard. So a great memoir is one that observes the surroundings, experiences, events and relationships of a life with clarity and insight. It engages the mind and heart and sheds some light on what it is like to be human – whether that is as a movie star, politician, farmer or housewife.

**Q Give me three golden rules about writing your memoir?

A:** These three golden rules are from my text, Writing Your Life, a journey of discovery (Allen & Unwin 2001). This text has lots of information about how to write your life story :

  • Write with attentive awareness; whether you are writing from life or imagination, faithful observation will give truth and beauty of style.

  • Write because it matters to you; this will give truth and beauty of voice.

  • Write with a sense that you are making something; this will give truth and beauty of form.

  • **Q: When setting out to write your memoir, should you write for yourself or for an audience?

A:** It depends on whether you want to publish or not. If you want to publish, then certainly you need to be aware of the readers. But you must not write just to please your readers, because all readers are different and you would lose your own sense of what you wanted to say. Hold on to your own voice, your own perception of your life, but remember that you are not pouring out your heart into a journal, you are constructing your life on the page for other people to experience. A useful tip is to write with a particular reader in mind, a friend or relative with whom you feel most natural, most yourself.

**Q: When writing about living people, what are the rules? Do you need to ask permission?

A:** Thee are some legal rules, ie you cannot defame anyone, and if you think some of the things you have written might be defamatory than consult an arts law lawyer, (see Arts Law Centre of Australia). Apart from legal concerns, the rules are up to your own sense of justice and responsibility. You don’t need other people’s permission, but if someone you care about might be hurt or embarrassed and you want an ongoing relationship with them, then it would be wise to consult them. For example, in writing

  • Whatever The Gods Do

  • I discussed the story with the two central characters, Kit and Theo, many times – and I changed their names to protect their privacy. However, I did not change any of the important facts or my perceptions – you must not let everyone else in your life be your editors or you would soon have a ‘blancmange’ version of your life, sweet and bland.

**Q: Can you write a memoir without being truly honest about your darkest secrets? (For example, should Cheryl Kernot have included her affair with Gareth Evans in her book?)

A:** This is a tricky question because what you reveal depends on your purpose in writing your life story. If you are writing about your achievements, then there is no need to include your love affairs – failed or otherwise. On the other hand, leaving out dark secrets can create an unreal fairy floss version of life which is ultimately undermining to the reader.

The three key questions about dark secrets are:

  1. Is it important/useful that other people know these secrets?

  2. If it is important, then, is it worth the pain it may cause to innocent others?

  3. And if it is worth the pain, am I strong enough to cope with the flak?

I imagine Cheryl Kernot said ‘No’ to the second question – it’s everyone’s right to make that decision from their own emotional and moral standpoint. In Whatever The Gods Do I had to decide whether to leave in a scene where Kit told me he wanted to commit suicide, knowing that Theo, his young son, would be distressed when he read that in the book. Rightly or wrongly, I decided the truth outweighed the pain that revealing this dark secret might cause.

**Q: As a writing teacher specialising in memoirs, were you nervous about writing your own memoir?

A:** When I wrote my first memoir The Last One Who Remembers (Allen & Unwin ‘97)I felt nervous that readers would make comparisons between what I said about how to write memoirs and what I actually did! That book was an exploration of the importance of stories on our lives – with my own stories as a kind of illustration. I think the nervousness made me try a little too hard.

However, as I wrote Whatever The Gods Do, which is about Dina, a friend of mine who died leaving a three year old son, Theo, I immersed myself in the importance of the story and did not worry about what anyone would think. What was important was being honest and clear about my relationship to someone else’s child. It is a very complex story and it took as much heart and soul and mind as I could muster to write it – naturally now I hope readers will enjoy it.

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Shooting butterflies

Shooting Butterflies by Marika Cobbold, published by Allen and Unwin, $29.95, is our Great Read for April.

The remarkable thing about this morning was not that it was Grace’s birthday; after all, that occurred once a year so by the time you got to forty you should have ceased to be surprised. Nor was there much to say about the day itself; she walked down Kensington High Street to get the paper and it was muggy and overcast, the air so heavy with pollution you felt like offering it a hand to rise.

Back home, there was nothing odd about the toaster malfunctioning, Grace’s two slices of white bread getting caught and having to be prised out piece by piece, nor about the tea turning cold before she remembered to remove the teabag. And she had expected cards; she had friends, after all, and Mrs Shield. No, what gave the day it’s unusual quality was that the postman, when he arrived, handed her a present from her dead lover.

She tore open the tattered brown paper parcel with its US stamps, thinking it might be a present from her Aunt Kathleen. Inside was a picture. She lifted it out and turned it the right way, gazing at the painting as if she had found a pink, breathing baby beneath a heap of rags. Outdoors, it was murky; leaden sky, charcoal asphalt, and the dirty white of the concrete building opposite. Indoors, the picture brought its own light.

There was an envelope hidden in a pocket of the wrapping. It had been opened and sealed again with a couple of bits of tape. On it was simply written Grace. It was his writing. She put the envelope down on the table, shook herself and then looked again. It was still his writing. She picked the envelope up and tore it open. Her heart was hammering in her chest as she read on, but her hands remained steady; it was her training.

The painting was the kind of gift – remarkable and utterly right – that he would send her; but two years after his death? Grace was not one of those people who discounted miracles; she just didn’t think them likely. He was dead and, this being life, there would be no resurrection.

She propped the picture up against the back of one of the kitchen chairs. She looked at what he had looked at; there was a time lag of over two years, but they were sharing the view: the house brooding in the background, the dark-haired girl seated by the water’s edge, the figure gazing at her with such longing, and all washed in a light so clear it might have been sieved through a fine muslin cloth. The sea was playing in shades of blue and, beyond, the horizon was endless. Grace had seen such light and such horizons in the past, in other places, but never from a window at Northbourne House. And A.L.Forbes, who was he? She had never heard of a painter of that name, yet this was not some amateur work but the work of a true artist.

She turned the letter over in her hand and it was then she noticed the scribble on the back.

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