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Exclusive extract: the peacock emporium

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Selected as the Great Read in the June issue of The Australian Women’s Weekly.

1963: Framlington Hall, Norfolk

He looked perfect in black tie, of course. Unlike her father, whose stomach strained uncomfortably against his cummerbund like a wind-filled sail, Douglas simply looked taller and straighter, his shoulders square in the crisp dark cloth of his jacket, his skin thrillingly alive against the flat monochrome of his shirt. She thought he probably knew he looked handsome. When she’d told him so, jokingly, to hide the intensity of longing his appearance had provoked in her, he’d laughed gruffly and said he felt like a trussed-up fool. Then, as if embarrassed to have forgotten, he had complimented her too. ‘You scrub up pretty well, old girl,’ he said, putting his arm round her and giving her a brotherly squeeze. It wasn’t quite Prince Charming, but it was a touch. Vivi still felt it, radioactive on her bare skin.

‘Did you know we’re now officially snowed in?’

Alexander, Douglas’s pale, freckled schoolfriend, had brought her another drink. It was her third glass of champagne, and the paralysis she had initially felt, when confronted by the sea of glamorous faces before her, had evaporated. ‘What?’ she said.

He leant in so she could hear him over the noise of the band. ‘The snow. It’s started again. Apparently no one’s going to get past the end of the drive until they bring more grit tomorrow.’ He, like many of the men, was wearing a red coat. (‘Pink,’ he corrected her) and his aftershave was terribly strong, as if he hadn’t been sure how much to use.

‘Where will you stay?’ Vivi had a sudden picture of a thousand bodies camped on the ballroom floor.

‘Oh, I’m all right. I’m in the house, like you. Don’t know what the rest will do, though. Keep going all night, probably. Some of these chaps would have done that anyway.’

Unlike Vivi, most of the people she could see around her looked as if they stayed up until dawn as a matter of course. They all seemed so confident and assured, uncowed by the great surroundings. Their poise and chatter suggested there was nothing particularly special about being in this stately home, even though there was a fleet of minions whose only wish was to serve them food and drink, and that they were unaccompanied by chaperones on a night when boys and girls were likely to have to stay in the same house. The girls wore their dresses easily, with the insouciance of those for whom smart evening wear was as familiar as an overcoat.

The didn’t look like extras from a Disney film. Among the tiaras and pearls there were heavily outlined eyes, cigarettes, the occasional Pucci skirt. And despite the incongruous elegance of the wedding-cake ballroom, the many swirling ballgowns and evening dresses, it had not been long before the band had been persuaded to drop its playlist of traditional dances, and strike up something a little more modern &emdash; an instrumental version of ‘I Wanna Hold Your Hand’ had sent girls squealing on to the dance-floor, shaking their elaborately coiffed heads and shimmying their hips, leaving the matrons on the sidelines to shake their own heads in perplexed disapproval, and Vivi to conclude, sadly, that she was unlikely to get her waltz with Douglas.

Not that she was sure he’d remembered his promise. Since they had come into the ballroom, he had seemed distracted, as if he were scenting something she didn’t understand. In fact, Douglas hadn’t seemed much like himself at all, smoking cigars with his friends, exchanging jokes she didn’t get. She was pretty sure he wasn’t talking about the imminent collapse of the class system – if anything, he looked disturbingly at home among the black ties and hunting coats. Several times she had tried to say something private to him, something that re-established their shared history, a degree of intimacy. At one point, boldly, she had made a joke about his smoking a cigar, but he hadn’t seemed particularly interested &emdash; had listened with what her mother always called ‘half an ear.’ Then as politely as he could he had rejoined the other conversation.

She had started to feel foolish, so had been almost grateful when Alexander had paid her attention. ‘Fancy a twist?’ he had said, and she had to confess that she had only learnt the classic dance steps. ‘Easy,’ he said, leading her on to the floor. ‘Stub a cigarette out with your toe, and rub a towel on your behind. Got it?’ He had looked so comical that she had burst out laughing, then glanced behind her to see whether Douglas had noticed. But Douglas, not for the first time that evening, had disappeared.

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Exclusive extract: do you come here often?

Selected as the Great Read in the May issue of The Australian Women’s Weekly.

It was just after 9 a.m. Eight hours after Grace had arrived home last night, let herself in and discovered the stereo on, some opera or other blaring loudly, and Spencer crashed out on the sofa. Arms dangling, thighs splayed, his trousers ridden up his leg to expose a hairy calf muscle, his mouth hanging open. He’d been snoring as well. And not just any old snoring, but a loud, phlegmy, boozy, smoker’s rattle – grroink-grroink-grroink-grroink – as if a stick was being dragged along the railings.

Flicking off the stereo, she’d looked down at him, and instead of feeling angry she felt only sadness. Sadness that she’d grown used to seeing Spencer arrive home drunk, watching him getting out the Glenfiddich for “just a nightcap”, selecting a CD from his beloved opera collection, turning up the volume until her votive candles on the shelf rattled in their frosted glass containers. She was used to his “second wind”, him looning it up in the living room, waving his arms around as if he was a conductor. Singing at the top of his voice like Pavarotti, before collapsing onto the sofa.

Then there’d be the silence. The heavy breathing. Her realization that he’d passed out. That she was going to have to try and wake him up, steer him stumbling and staggering into the bedroom where he’d belly-flop onto the bed, and she’d begin the lengthy process of undressing him. First would be his shoes, then his trousers, until finally she’d cover him with the duvet, climbing in beside him and lie with her eyes wide open, staring at the dark ceiling until finally she fell asleep.

But not this time. This time she’d left him where he’d passed out, had gone into the bedroom and in the silent, spacious luxury of having the king-size all to herself, spread out like a starfish. She’d slept soundly. Whereas most people might have lain awake for hours, mulling over what had happened, Grace’s mind automatically switched off as soon as it hit a duckdown pillow.

Until she’d woken that morning, jumped out of bed and tramped across the common. Somehow she’d ended up in a coffee shop and she’d perched herself on a stool by the window, absent-mindedly watching the invasion of McClaren baby buggies, gazing out of the window and flicking idly through the Saturday morning newspapers. She hadn’t bothered to read anything. She couldn’t concentrate. Everything was all churned up.

“You didn’t even call to see if I was OK,” said Grace, looking accusingly across at Spencer.

“I tried your mobile but it was switched off. That’s why I came to look for you,” he protested quickly.” I wasn’t talking about this morning,” gasped Grace.

“Oh, yeah…” he muttered, running his fingers through his rumpled hair. Gazing at her, he shrugged remorsefully. “I don’t blame you for being angry.”

But that was just it, thought Grace, she was a whole lot of things but angry wasn’t one of them. She looked across at Spencer. Was it really only four years ago she’d first laid eyes on him? He’d been standing right next to her, at a bar, and when he’d chatted her up and asked her out she’d said yes. And, eighteen months later, when he’d asked her to marry him it was a foregone conclusion. Well, that’s how relationships are supposed to work, aren’t they?

Except this one wasn’t working any more, thought Grace, gazing at Spencer. Sitting opposite her he was cricking his neck, trying to read the upside down sports headlines on the newspaper that lay on the table in front of her.

“We need to talk.” Her voice was quiet but determined.

He looked up. “About last night, look, I know…”

But this time Grace was determined not to be interrupted. “No, it’s not just about last night.”

“It’s not?”

Grace couldn’t believe he actually seemed surprised. “It’s about lots of things.” She paused, wondering where to start and then deciding to start with the most obvious. “One of them being why, after being engaged for two years, we’re still not married.”

For a split second he hesitated. It was just a beat. A heartbeat. One breath. The time it takes for your eyelashes to sweep lightly down against your cheek in a blink. To most people it wouldn’t have been discernible, they would never have noticed, but Grace wasn’t most people. And she did notice.

“You know why,” he began, launching into their speech. “Because we’ve been busy, and we were going to finish doing up the flat, it’s going to cost a small fortune to do that extension…”

“Spence, this is me you’re talking to,” cut in Grace. She knew the speech so well, she’d written the bloody thing. “What are we waiting for, Spence? Forget all this organization rubbish, why don’t we elope? We could fly off to Vegas next weekend and have an Elvis wedding, or go to Barbados and do it barefoot on the beach.” Getting carried away, it was as if saying her marriage vows was like saying abracadabra and waving a magic wand and all her nagging doubts would disappear. Her voice trailed off as she caught Spencer’s expression. He was staring at her, bemused by her suggestion of something so spontaneous. Leaning closer, he put his arms around her, his forehead leaning against her. “We’re OK as we are, aren’t we?” he murmured, kissing her gently, his stubble brushing against her top lip.

Held close in an embrace, his face nuzzling her neck, all the upset, the worry, the anger, the fear faded away. This felt safe and snug and familiar. Closing her eyes, Grace rested her cheek on the soft curls of his hair. It would be so easy to slip back into the status quo. To just forget about last night, record over it as if it was a blank videotape. But she wasn’t going to.

“No we’re not OK. I’m not OK.” Pulling away, she shook her head. Because it wasn’t really about last night, about her birthday, about him getting drunk, about him leaving her. It wasn’t even just about their engagement. It was about everything. About that black dress he’d “suggested” she wore, the drunken jokes she’d heard a hundred times before, the weekly trips she had to make to the bottle bank with his empties, the photograph in the snowglobe of the couple skating in Central Park. The couple she no longer recognised.

“This isn’t what I want,” she confessed sadly.

Spencer frowned. Lulled into thinking everything had been sorted out, that he’d been forgiven and everything was back to normal, he was surprised. And annoyed. “Is this your way of giving me an ultimatum?”

Was it? Grace wavered.

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Ten ways to deal with grief

Ruth Ostrow is a journalist and has compiled these tips after interviews and personal experiences with counsellors. They are not intended as a substitute for seeking proper grief counselling, professional help, or medical advice.

Ruth Ostrow is a journalist and has compiled these tips after interviews and personal experiences with counsellors. They are not intended as a substitute for seeking proper grief counselling, professional help, or medical advice. 1. Seek grief counselling or professional help Your heart is sore and needs to heal. An experienced practitioner can offer you guidance and support. 2. Time Give yourself permission to grieve as long and as powerfully as you need. 3. Understand your reactions Understand and accept that grief includes all sorts of reactions not normally associated with grief. According to prominent grief counsellors Mal and Dianne McKissock, these reactions may include escapist behaviour, excessive partying, shopping, or sexual activity, as well as being shut down, unemotional, over-emotional, angry, relieved, or confused. 4. Accept your reactions Whatever your reaction is may be typical of how you react when under great stress. According to the McKissocks, these defence mechanisms are formed when we are children. If you responded to pain or fear as a child by running off on your bicycle, becoming loud and rebellious, or by hiding, that is likely to be how you will handle grief. Accept these reactions as normal. 5. Try not to be judgemental of self or others Counsellors advise people to accept that grief will be personal to their particular situation. A person who was close to a late spouse will grieve differently to one who was not. Grief for a parent is different from grief for a child. There are no rules, all feelings are okay. 6. There is no time limit on grief 7. Grief will change over time Just as it is advised to allow feelings to be intense without feeling guilty, counsellors also suggest people allow feelings to slowly subside without feeling guilty. 8. Reflect When you are over the shock of the death, it is often meaningful to do a ritual to help you say what you need to say for closure. Write a letter or do a piece of art, go into the garden or a sacred place, light a candle, speak your words or feelings out loud, speak your truth to the spirit of the beloved, and then bury your token letter or object in a special place. 9. Honour the relationship Personally, I give myself permission to talk to those I love who have passed on, asking for guidance in times of need and sharing special moments. This helps me to honour the relationship we shared and eases my grief. 10. Don’t be afraid to move on Grief counsellors advise not be frightened to let go and move on. One day, you will want to. It isn’t abandoning your loved one or their memory. It is a sacred pledge to continue living, and it is what the departed would want of you. Ruth Ostrow is the author of Sacred & Naked (Hardie Grant Publishers, $29.95), available from all major bookstores. www.ruthostrow.com

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Eating well to beat stress

Increase your resistance to stress with a healthy, balanced diet.

Increase your resistance to stress with a healthy, balanced diet. DRINK PLENTY OF WATER Drinking six to eight glasses of water a day is essential. Water facilitates all the chemical reactions in your body. It helps carbohydrates, proteins and fats release energy, as well as speeding up the movement of nutrients. EAT A VARIETY OF FOODS Vegetables and fruit contain naturally occurring substances known as phyto-chemicals, believed to interfere with the processes that cause cancer and heart disease. People who eat a wide variety of food are healthier, live longer and have a reduced risk of developing illnesses such as heart disease, cancer and diabetes. EAT MOST OF THESE FOODS

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Interview with Alexandra Potter

Alexandra Potter’s latest book, Do you Come Here Often? (Black Swan) has been selected as the Great Read in the May issue of The Australian Women’s Weekly.

**Q What kind of book did you set out to write?

A** I was interested in the idea of people in relationships for a long period of time who for one reason or another, wake up one morning, look at their partner think, ‘I’m not in love with this person any more. I thought they were Mr Right and actually, they’re Mr Wrong.” And what happens? Do you stay with this person? Do you leave and hope you’re going to find somebody else? I’m 33 and a lot of my friends say it’s very difficult being single again in your thirties and forties. I thought that’s a really interesting idea of what it’d be like to be in the place they call The Desert. They keep saying, it’s a dating desert out there.

But I didn’t just want to write a book aimed at my age range because Mum reads my books and so do her friends. So there are two characters in there in their fifties, Maggie and her partner Sonny. There are six main characters and they are all very different. Some of it is very funny. Other aspects, such as what happens to Maggie, is very serious. I wanted to explore everyone’s different views on love, falling in love, living happily ever after. Because at the end of the day I think that’s what everybody hopes for. To meet the person that they’re going to spend the rest of their life with.

**Q Do you believe women are still looking for that despite the high divorce rate and all the other options there are for women these days?

A** Yes. The main character Grace, does leave her fiancé and is single again. And it’s about how terrible it all is and yet how brilliant it is. Because she does actually meet the man of her dreams, who is actually an old boyfriend. At the very end she has realised that it is better to be alone than to be with the wrong man. So even though very much we all want to meet Mr Right, if you don’t meet him it is better to be single than in a relationship that doesn’t feel right.

**Q A talkback radio show for the lovelorn is a link throughout your book – is that because such a lot of people nowadays are more likely to use something like that or a dating agency or an online matchmaker to meet someone?

A** Yes. I think it’s very interesting that we work at our careers, we have to work at our appearances and do serious research and thinking before buying a house. Anything like that we have to employ a strategy and work at it. But with love we think it’s just going to happen. That we’re going to waltz down the street and cupid’s going to fire his arrow and we will suddenly fall in love. But if we approach it like finding a job or buying a house, then we will do something like join a dating agency or ring up talkback show for singles. And it shouldn’t be looked upon as being sad or unromantic, it’s just a way of meeting someone. Because it’s very hard to meet people, especially the older you get. It’s not like it was in your twenties and everyone’s hanging out in gangs.

When I was writing this book I became single again.

**Q But didn’t you have a boyfriend for like seven years?

A** When I started writing this book, fiction started becoming fact. I became the main character in the book. I was suddenly single again, and I discovered was in Couplesville. The weekends became hard. Everyone was with a partner and I was like, ‘oh! What do I do now?’ It’s hard to meet people. The idea for the radio show came about because I was driving home and just tuned in to a radio show by accident and starting hearing this talk-back program where people were looking for Mr Right, or Mrs Right. I drove up outside my apartment and I kept my engine running and sat there listening to it. I thought that was such a good idea to use as a backdrop for the book because everyone likes it. Listening to people’s letters being read out is like reading from a diary, because people are quite personal when they’re writing a letter. And when they ring in, you can’t see what they look like, you can just hear they’re voice. And that’s a good thing because a lot of the time we base a lot on what people look like. I don’t think it should be like that so much.

**Q Like Grace, did you suddenly find Mr Right had become Mr Wrong?

A** (Snort of laughter). It’s quite funny because it was a slow process, although you don’t admit it to yourself. So things start going on in your relationship but you don’t pick up on it, yet you’re quite, generally unhappy. It was just like…I don’t know, it was like an epiphany. You just one day, something happens and you ‘think this isn’t right.’ And al those little clues that happened over the past years ultimately come into focus and you think ‘I’m not with the right person.’ But then what do you do? I was very much with someone I did love. We were supposed to be getting married and he was my best friend, so it’s not like we were fighting or he had an affair. We were very comfortable and it’s a very difficult decision to make to walk away or stay in a relationship. I’m very much the hopeless romantic, maybe I’m living in a dream world but I want this great, can’t live without you love. And I thought this isn’t what I’ve got here. So I decided to leave. But it was still very, very painful. Breaking up is a difficult thing to do and I write about it in my book. Everyone thinks you watch Four Weddings and a Funeral and cry a bit and drink some chardonnay and play I Will Survive and you get over it. But it’s very hard. You’ve got to find your own flat to live in, all sorts of things. It’s much, much harder than you think.

**Q And how are you now?

A** I actually fell in love.

**Q No!

A** I did I did, I really do think my book is coming true. I finished the book and went to see my sister who lives in Los Angeles. I was there for a few months and I met a man and I fell in love. It was like ‘wow!’ I didn’t think it would happen again but it did. I’m really, really happy at the moment. Fingers crossed.

**Q Is he American?

A** He’s Israeli but grew up in New York. Has a great sense of humour, like Australians, which a lot of people from LA don’t have. I lived in Australia for a year, 1998-1999. I worked at a couple of magazines and started writing features there. I absolutely loved Australia. I made some brilliant friends, but unfortunately one night I was out, crossing Oxford Street (Sydney) and I got knocked down by a car. And would you believe, people laugh when I tell this story (even though I broke my shoulder and I had to fly back to England for an operation), but it was being driven by a couple of nuns! They weren’t wearing habits but it was two nuns who knocked me down. It was just one of those mad things. So I had to leave Sydney because I wanted to have the operation in the UK so I could be near my parents. So I stayed in England and never came back except for a quick visit for the first time just before Christmas to catch up with friends and see my publisher, Random House. I was there for the Rugby World Cup, which was great.

**Q Did the accident happen at night-time?

A** Yes. I was in Oxford St Paddington, had been out for dinner and was trying to hail a cab and I was crossing the road. I don’t know what happened. I woke up and I was in an ambulance and apparently I’d been hit by these two nuns. They must have got the shock of their life because I went through the windscreen. They were quite elderly nuns so they probably couldn’t see very well and I was wearing black at the time. Trying to be a fashionista.

**Q You’re very lucky to be alive?

A** Very much so, I think I’m like a cat. I’m down to about seven lives now.

**Q How is your new relationship going to work with you in London and your boyfriend in LA?

A** I just got a writer’s visa for America so I am going back there in few weeks, to be with him. I am writing my next book Be Careful What You Wish For. Maybe(laughing), that’s significant. I keep thinking how you wish for all these things and when they come true, you think hmmm! ‘I didn’t really want that.’ But I’m going back to America and writing the next book and will hopefully live happily ever after.

**Q Are you moving in together?

A** No I’m going to stay with my sister. I’m dreadful because I fall in very quickly, head over hells, but I thought I’d try to be very sensible and go and live with my sister for a while and take it very slowly. And see what happens. Being a writer is a huge bonus because you can write anywhere.

**Q I read you wanted to be a writer since you were 6 and wondered if anything happened back then that triggered the desire?

A** I’m from a little place in England called Bradford which is where the Bronte sisters grew up and when I was little I vividly remember being taken to the Bronte Parsonage in a tiny village in the Yorkshire Dales. And my Mum told me the story for Wuthering Heights and Jane Eyre. In the museum they had the little books that as children they would write stories in. Miniature books and that struck a chord with me and I remember going home and trying to write one of these little books myself. From then on I was always writing short stories and trying to write books. So I’ve always wanted to write a book but it was very much a dream. I didn’t think someone like me could. I thought you had to be somebody special. And it was only when I got older and I was working as a Sub-Editor on a magazine and working on a feature about 6 twenty-something women who had written their first novel that I realised if they could do it, so could I. So I had a bash at a book and it was my first one, What’s New Pussycat. I never had to go back to a day job again. I sold the film rights to Working Titles who made Four Weddings and a Funeral and Notting Hill, and they wanted Posh Spice, Victoria Beckham to play the lead. The main character was a woman called Delilah who was a huge Tom Jones fan. They thought it would be great for Posh but she went off and had a baby and nothing happened. And I sold the film rights to the third book, Calling Romeo, so at the moment they’re writing the screenplay of that. We’ll have to see what happens.

**Q This is your fourth book?

A** Yes, it’s really weird, I can’t believe it. I’m writing book five. It seems unbelievable, it was always my big dream to write novels. When a dream comes true sometimes you have to pinch yourself to make sure it’s happened.

**Q I imagine it’s also harder then you thought it would be?

A** Yes the first book is very easy. You’ve got so much to write because you’ve never written a book before. And of course you’re always trying to make the next one better. Trying to be original. Different. And of course you’re using up your ideas so you need to be having lots of experiences. It’s very much a job. You sit there every day, 9-5. Or whatever hours you work. People think you wander around being hit with inspiration, but it’s not the glamorous job they think. I sit in my little back bedroom, at a desk, writing. It’s a job like anything else.

**Q How many brothers and sisters do you have?

A** Only my older sister. She moved out to LA when she was 18. She’s about 36 now.

**Q Parents’ professions?

A** Mother was a school secretary and my father had engineering firm. They’re retired now. As a child, my Grannie looked after me because mum went out to work. In Calling Romeo one of the main characters is an 80 year old called Violet who was very much my grandmother. She was the lady I knew until I was about 5 years old.

**Q Who reads your finished manuscripts first?

A** My editor. I’m very private and secretive. A lot of authors I know write chapter by chapter and give it to their partner or friends. I write the whole book. Nobody sees it. I am my own worst critic, constantly thinking ‘oh this is rubbish and I don’t want anyone to read it.’

**Q Are you good at concentrating when you’re writing?

A** I get terribly distracted. I’ll do anything. The washing up. Clean up my wardrobe. I have to be really firm with myself and lock myself away.

**Q Date of birth?

A** May 8, 1970, a typical Taurean.

**Q What’s that?

A** They love food. Very romantic. Quite stubborn. Very loyal. We take a long time to do things and make decisions but we’re quite tenacious. If we start something we always finish it.

**Q Finish the sentence Alexandra Potter loves…?

A** I love, ooh gosh – I love shopping. I’m dreadful. I’m a big walker. I do a lot of light exercise. I go running for half an hour every day – my father’s a fitness fanatic and I think I got it off him. Since I’ve been in California the new man lives near the sea, so that’s great I can get up and run along the beach. I recently got into yoga. I love eating out. Travelling. I’m a big cinema fan. A lot of the way I write is very visual. I love films like Sleepless in Seattle and When Harry Met Sally, the feel good movies. I really want to write books that when you finish the last page, you have that warm feeling. So when I write my books they are very visual. And of course I do different characters from different points of view. It’s like you’re watching a movie really. I think that’s probably why a couple of my books have been optioned for films. I love going to the movies and the new man I’ve met in America he works on films, so that’s great. Because he’s always getting DVDs and free movie tickets. He’s a feature film editor. He’s worked on two Oscar nominated ones. Almost Famous. And also a film called The Bourne Identity which I confess I haven’t seen. The first time he took his mum to the Oscars, the second time he took his dad. He had to wear a tuxedo and go in a limo.

**Q Is he handsome.

A** I think he’s very handsome, yes.

**Q Finish the sentence, Alexandra Potter dislikes?

A** I don’t like red wine, hate cruelty to animals (I’m a vegetarian), dislike chocolate which is a really bizarre thing – I don’t have a sweet tooth. Much more a cheese crackers kind of person. I’m the person digging into the camembert which is very good for my hips – huh! I don’t like cheating men. That’s my bugbear because it’s seemed to happen to a lot of my girlfriends recently. Not into men who are cads. And I don’t like bad weather. I hate the rain and grey skies of London.

**Q What do people call you?

A** My grandparents used to call me Alexandra, my parents call me that when I’m being told off. My friends call me Alex. Really close friends call me Al.

**Q Your boyfriend?

A** He calls me Alex. He says it in a very American way. Alexandra is my grown up name.

**Q Despite the ups and downs of the main character, your book has a whiff of optimism about it – where does that stem from?

A** The funny thing is I think of myself as a pessimist. Everyone always says to me, ‘Alex you’re such a worrier.’ Such a pessimist. I’m very much my glass is always half empty. But I guess in writing you can create this world that you would love to be in where everything you would like to happen, happens. And so in my writing I’m very optimistic. Everything I would love to happen, happens in my books. I mean I really do believe you can meet someone and live happily ever after for the next 40 years.

**Q Despite the high divorce rate?

A** I do believe in love. I believe it can happen. When you go for walks in the park and you see an old couple on a park bench holding hands, it’s so incredibly sweet and I really want to write about that because in real life there’s an awful lot of horrible things and sadness. And there’s a lot of brilliant things that go on. Really happy, joyful things happen to people and I want to write about that. At the end of the day, we all want to live happily ever after and we can!

They say two marriages in three fail, well, I want to write about that one that succeeds.

Photographer: Kelly Potter

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Takeaway turnarounds

Tips on handling those “too tired to cook” nights.

Tips on handling those “too tired to cook” nights. When you’re tired and hungry, takeaway often seems like the best solution. Choose wisely and takeaways can be a great weekly meal. However, if takeaway equals fast food, you may find that you’re easily clocking up mega kilojoules and fat in your quickest meal of the week. With over 2000 kilojoules and approximately 25g of fat in a burger alone, you can see how easy it is to undo your week’s healthy eating efforts. Check out our takeaway turnarounds for some tips on healthier choices when the “too tired to cook night” next strikes. Chinese Take out – Clear soups, stir-fry vegetables with chicken, seafood or lean meat; steamed rice; steak and black bean sauce; steamed appetisers. Leave out – Deep-fried food in batter; spring rolls; fried rice; sweet and sour dishes; deep fried ice-cream. Indian Take out – Chapatti or roti bread; Dahl or raita; grilled pappadums, tandoori chicken breast; and steamed rice. Leave out – Samosas; creamy curries; korma sauce; fried pappadums. Italian Take out – pasta with meatless sauce, e.g. marinara, prima vera or napoli; ricotta and spinach cannelloni or ravioli with tomato sauce; minestrone soup; sorbet or gelato. Leave out – pasta with cream, butter or oil based sauces; meat lasagne; Italian sausage; fried calamari; garlic or herb breads; Tiramisu. Japanese Take out – just about everything on the menu including sushi, miso soup, steamed rice and ramen noodle dishes. Leave out – Tempura and other fried dishes. Mexican Take out – burritos and flour tortillas with lean chicken, meat or beans; salads; fajitas; gazpacho soup. Leave out – frijoles (refried beans); guacamole; sour cream; enchiladas; nachos and tacos. Thai Take out – Tom Yum soup; grilled beef salad; Thai chicken salad; stir-fry vegetables; steamed rice. Leave out – green or red curry; coconut rice; cream, coconut or peanut sauces; satay dishes and spring rolls.

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Sounds juicy

The nutrition pros and cons of the juice bar invasion.

The nutrition pros and cons of the juice bar invasion. Juicing has always been caught up in the dieting cycle, falling in and out of popularity over time. Most of the juice fads have centred around “cleansing diets” and had somewhat of a herbal image. Generally, the follower was required to purchase their own home juicer and kilos of fruit and vegetables. But these days you’re just as likely to see a corporate executive sipping a juice concoction on the way to work or an elite sportsperson downing a smoothie after training. With the explosion in juice bars and range of beverages from “Fat Burner Power Smoothie” to “Stress Relief Boost Juice” there’s now a tailored drink for everyone. Or is there? What’s on offer? Juice bars’ main lines centre around fruit and vegetable smoothies and juices, blended with herbal and plant ingredients, such as ginseng and wheat grass. Nutrition pros

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Five herbal immune boosters

Harmful germs, bacteria and viruses are trying to infect your body even as you read this. Strengthen your immune system this winter with these herbal remedies.

Harmful germs, bacteria and viruses are trying to infect your body even as you read this. Strengthen your immune system this winter with these herbal remedies. 1. Astragalus A traditional tonic among Chinese herbalists, astragalus improves the activity of interferon, the body’s natural anti-viral agent. The best evidence to date for its immune-stimulating effects comes from the University of Texas Medical Centre in Houston, US. A study there found that the polysaccharides (a type of carbohydrate) in astragalus restored function to cancer patients’ damaged immune cells. 2. Echinacea Today, people all around the globe use this ancient North American plant remedy to promote resistance to colds and flu, a finding borne out by placebo-controlled studies. In one, 199 volunteers were randomly assigned a daily dose of 240mg of Echinacea purpurea or a placebo (dummy pill) to be taken at the first sign of a cold. The echinacea was effective in 68 per cent of cases, the placebo in only 40 per cent. 3. Borage Borage seeds are an excellent source of gamma linolenic acid (GLA), a fatty acid that is used by the body to produce prostaglandin E1, one of several natural chemicals that reduce inflammation. A small British study of women with breast cancer showed that taking a combination of GLA (which is also found in evening primrose oil) and the anti-cancer drug tamoxifen significantly sped up the women’s response to the medication. Borage seed oil is sold in capsules; follow directions on the packet. 4. Elder Traditionally used to soothe sore throats, it is the powerful anti-oxidants in this herb that seem to give it its anti-viral properties. In test tube studies, an elderberry extract has been shown to inhibit a variety of flu viruses. If using a syrup or tincture, follow label directions. Or simmer two teaspoons of dried elderflower tea (from your health food store) in one cup of water for 10 minutes; drink several times daily. 5. Ginseng Ginseng is renowned as an adaptogen, so called because it helps the body adapt to all sorts of stresses. Traditional Chinese medical (TCM) practitioners use it to help the body recover from illness as well as to increase mental and physical stamina. The most convincing experiments so far come from Denmark, where ginseng was shown to stimulate white blood cells to clear bacterial infections more effectively, as well as reduce damage to affected cells.

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Lovely floral box

A lovely floral box to hold all your treasures or to give to a special friend. Embellished with ribbon embroidery.

Download the painting outline for the jewellery box.

Measurements

Embroidered lid measures approx. 17.5cm x 11cm.

Materials

Satin jewellery box or similar (ours measured 17.5cm x 11cm x 6.5cm)

25cm square natural seeded homespun

Tracing paper

Soft lead pencil

Water-soluble pen

Masking tape

Acrylic paint – avocado green, buttermilk yellow and toffee brown

Soft bristle paint brush

20cm embroidery hoop

One skein Rajmahal Art Silk in each of the following colours:

Charcoal 29, laurel green 65, light tan 171, maidenhair 521, verdigris 926

YLI 2mm-wide silk ribbon in each of the following colours and quantities:

Very pale pink 5 (1m), pale lemon 13 (0.5m) medium grass green 20 (0.5m), dark forest green 21 (0.5m), light mauve 22 (0.5m), light apple green 31 (0.5m), light blue-green 32 (0.5m), medium blue-green 33 (0.5m), raspberry pink 128 (0.5m), dark cream 156 (1m), medium grape 179 (0.5m)

Madeira Metallic Machine Thread: silver

Needles: chenille sizes 18-22, crewel size 9

Tracing design

Print out our design outline and trace onto tracing paper.

Tape traced outline to a light source and centre homespun over it. Tape in place. Trace pickets with soft lead pencil, lightly mark in the position of the path. Mark all the major stem lines etc.

Painting

Paint using a light wash of colour. Water down your paints and test on a piece of paper before applying paint to the fabric.

Allow drying time in between the application of each paint colour.

Apply avocado green paint as a background for the flowers and stems.

Apply buttermilk yellow paint to the pickets. Apply toffee brown paint for the path.

Embroidery

Place fabric into embroidery hoop and adjust to create an even tension.

Using stem stitch and one strand of Art Silk 171, work over pencil outlines of picket fence. If you have drawn these lightly, the stem stitch should cover them completely.

Using a light touch and the water-soluble pen, mark in the major stem lines again.

Work the flowers in the order indicated on the design outline.

One strand of Art Silk has been used throughout.

1 CLIMBING ROSE Stems – Art silk 521, 2 rows stem stitch

Branches – Art Silk 521, stem stitch

Roses – 4mm ribbon 13, spider web rose

Buds – 4mm ribbon 13, ribbon stitch

Bud Details – Art Silk 521, fly stitch and straight stitch

Leaves – 4mm ribbon 20, ribbon stitch

2 DAFFODILS

Leaves – 2mm ribbon 33, extended ribbon stitch and couched ribbon stitch

Trumpet – 4mm ribbon 15, loop stitch

Petals – 2mm ribbon 156, ribbon stitch

Buds – 4mm ribbon 15, ribbon stitch

Stems – Art Silk 926, straight stitch

3 FOXGLOVES

Stems – Art Silk 926, stem stitch

Flowers – 4mm ribbon 90, 125 or 44, French knots and ribbon stitch

Leaves – 4mm ribbon 32, ribbon stitch

4 GERANIUM

Stems – Art Silk 521, stem stitch

Flowers – 4mm ribbon 163, French knots

Leaves – 4mm ribbon 72, ribbon stitch

5 LILY-OF-THE-VALLEY

Stems – Art Silk 65, stem stitch

Leaves – 2mm ribbon 21 – extended ribbon stitch and couched ribbon stitch

Flowers – 4mm ribbon, 3 French knots

6 GRAPE HYACINTHS

Stems – Art Silk 65, stem stitch

Leaves – 2mm ribbon 21, extended ribbon stitch and couched ribbon stitch

Flowers – 4mm ribbon 102, ribbon stitch

7 DAISIES Stems – Art Silk 521, stem stitch

Leaves – 2mm ribbon 20, ribbon stitch

Centres – 4mm ribbon 15, French knots

Petals – 2mm ribbon 156, ribbon stitch

8 FORGET-ME-KNOTS

Centres – 4mm ribbon 15, French knots

Petals – 4mm ribbon 125 or 163, French knots

Leaves – 2mm ribbon 31, ribbon stitch

9 FLOWERING FOLIAGE

Stems – Art Silk 926, stem stitch

Leaves – 4mm ribbon 32, ribbon stitch

Flowers – 2mm ribbon 5, French knots

10 GROUND COVER DAISIES

Centres – 4mm ribbon 13, French knots

Petals – 2mm ribbon 5, ribbon stitch

11 ANEMONES

Centres – Art Silk 29, French knots

Petals – 2mm ribbon 22, 179, 13, 128 or 5, ribbon stitch

12 SPIDER WEB AND SPIDER

Web – Madeira Metallic Silver – straight stitch

Spider – Art Silk 29, French knot

Finishing

When your embroidery is complete, remove any visible blue lines by dabbing them gently with a cotton bud dipped in cold water. Allow embroidery to dry completely.

To mount embroidery in the box lid, simple tape or glue it in place over the insert and slip it back in place on the top of the box.

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Shape up with soup

A study at the New Jersey University of Medicine found that a starter of tomato soup was highly successful at cutting down on subsequent food intake. Cooked or processed tomatoes contain...

A study at the New Jersey University of Medicine found that a starter of tomato soup was highly successful at cutting down on subsequent food intake. Cooked or processed tomatoes contain lycopene, a substance that has been linked with lower rates of breast, prostate, and digestive cancers. But opt for a clear variety, rather than a high-fat creamy recipe.

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