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The AWW Great Read

handy hints,kids

A few years ago, The Australian Women’s Weekly Book Club was formed to tell book lovers about riveting new books and to introduce more people to the joys of reading.

Now that the Book Club is well established, The Australian Women’s Weekly is thrilled to bring you a fantastic new guide that will save readers time and money and lead them to some even more exciting discoveries in the world of books.

May 2008: Certain Girls by Jennifer Weiner. April 2008: This Charming Man by Marian Keyes. March 2008: Trip of a Lifetime by Liz Byrski. February 2008: Addition by Toni Jordan. January 2008: Bitter Chocolate by Lesley Lokko. December 2007: A Question of Death by Keyy Greenwood. November 2007: Monsoon by Di Morrisey. October 2007: Those Faraday Girls by Monica MacInerny September 2007: Broken by Ilsa Evans August 2007: Buying a Piece of Paris by Ellie Nielsen July 2007: Constance by Rosie Thomas June 2007: Still Life With Husband by Lauren Fox May 2007: The Scandal of the Season by Sophie Gee April 2007: This Way to the Sea by Gillian Nicholson March 2007: Shearwater by Andrea Mayes February 2007: From Baghdad, With Love by Lt Col Jay Kopelman January 2007: Blind Submission by Debra Ginsberg

December 2006: The Consequences of Marriage by Isla Dewar

November 2006: The Valley by Di Morrissey

October 2006: Bellydancing for Beginners by Liz Byrski

September 2006: Listen by Kate Veitch

August 2006: Three Bags Full by Leonie Swann

July 2006: The Shifting Fog by Kate Morton

June 2006: Once Upon a Day by Lisa Tucker

May 2006: Sparkles by Louise Bagshawe

April 2006: The Stone Angel by Katherine Scholes

March 2006: Anybody out there? by Marian Keyes

February 2006: Left bank by Kate Muir

January 2006: Social Crimes by Jane Stanton Hitchcock

December 2005: Love and Other Impossible Pursuits by Ayelet Waldman

November 2005: One Sunday by Joy Dettman

October 2005: The Last Anniversary by Liane Moriarty

September 2005: Plan B by Emily Barr

August 2005: Gone with the Windsors by Laurie Graham

July 2005: Those Garrison Women by Louise Shaffer

June 2005: Family Baggage by Monica McInerney

May 2005: The Italian Romance by Joanne Carroll

April 2005: With No One As Witness by Elizabeth George

March 2005: Sheer Abandon by Penny Vincenzi

February 2005: Where Rainbows End by Cecelia Ahern

January 2005: Serving Crazy with Curry by Amulya Malladi

December 2004: The Tenko Club by Elizabeth Noble

November 2004: The Stockmen by Rachael Treasure

October 2004: The Promise by Lisa Clifford

September 2004: Hello Missus: A Girl’s Own Guide to Foreign Affairs by Lynne Minion

August 2004: Spiking the Girl by Gabrielle Lord

July 2004: At Risk by Stella Rimington

June 2004: The Peacock Emporium by Jojo Moyes

May 2004: Do You Come Here Often? by Alexandra Potter

April 2004: The Other Side Of The Story by Marian Keyes

March 2004: The Walker by Jane Goodall

February 2004: Brother & Sister by Joanna Trollope

January 2004: The Amateur Marriage by Anne Tyler

December 2003: The Time Traveler’s Wife by Audrey Niffenegger

November 2003: Barra Creek by Di Morrissey

October 2003: Three Wishes by Liane Moriarty

September 2003: Love Begins With An A by Jean Vithoulkas

August 2003: Wives and Lovers by Jane Elizabeth Varley

July 2003: The Guilty Heart by Julie Parsons

June 2003: Henry’s Daughter by Joy Dettman

May 2003: Dying for Cake by Louise Limerick

April 2003: Shooting Butterflies by Marika Cobbold

March 2003: Too Close the the Falls by Catherine Gildiner (Flamingo)

February 2003: The Sunday Wife by Cassandra King (Allen & Unwin)

January 2003: The Last Girls by Lee Smith (Hodder Headline)

December 2002: The Innocent by Posie Graeme-Evans (Simon & Schuster)

November 2002: White Gardenia by Belinda Alexandra (HarperCollins)

October 2002: The Dive From Clausen’s Pier by Ann Packer (Piatkus)

About The Great Reads

Everyone, from book-worms to occasional readers, knows that buying a book can be a lottery. There are nearly 10,000 new books published each year in Australia alone, and with new authors springing up all the time, it can be difficult to select the one that is right for you.

The Australian Women’s Weekly makes that task easier with the The AWW Book Club Great Read. Each month, we select one book that comes highly recommended by a dedicated and expert team at The Weekly, a team comprising of people of different ages and tastes, bound by a shared passion for reading and for seeking out memorable books that will become treasured titles on your shelves at home. Our team has the advantage of access to early reviews and news of the popular overseas titles long before they reach the shelves and who’s hot and who’s not, via the London and New York bureaus of The Weekly.

The bottom line is though, if a book is named The Great Read, then you know that the team at AWW have truly loved that book and that they think you will love it too. Stickers titled “The AWW Great Read” will be placed on the front of the book – one of which will be featured in every issue of the magazine – and prominently displayed at most bookshops throughout Australia.

This means your days of wandering around a bookshop, haphazardly trying to find a book for yourself or someone else are at an end. And if you buy an AWW Great Read at your nearest Angus & Robertson book store and present the 10 per cent discount coupon published in this month’s Weekly, you will receive a 10 per cent discount off the recommended retail price. Also, buy an AWW Great Read and one or more of the other books featured on our Book Club pages in the magazine, at Angus & Robertson, present the 15 per cent coupon published in the magazine and receive a discount of 15 per cent off the total recommended retail price.

We wish you many hours of entertainment, enchantment and enlightenment in the world of books.

  • These discounts will not apply where A & R has elected to sell books at a discounted price upon release, but customers will be charged whatever is the lesser price, either the A&R discounted price or The AWW Great Read offer.

May 2008: Certain Girls by Jennifer Weiner.

April 2008: This Charming Man by Marian Keyes.

March 2008: Trip of a Lifetime by Liz Byrski.

February 2008: Addition by Toni Jordan.

January 2008: Bitter Chocolate by Lesley Lokko.

December 2007: A Question of Death by Keyy Greenwood.

November 2007: Monsoon by Di Morrisey.

October 2007: Those Faraday Girls by Monica MacInerny

September 2007: Broken by Ilsa Evans

August 2007: Buying a Piece of Paris by Ellie Nielsen

July 2007: Constance by Rosie Thomas

June 2007: Still Life With Husband by Lauren Fox

May 2007: The Scandal of the Season by Sophie Gee

April 2007: This Way to the Sea by Gillian Nicholson

March 2007: Shearwater by Andrea Mayes

February 2007: From Baghdad, With Love by Lt Col Jay Kopelman

January 2007: Blind Submission by Debra Ginsberg

December 2006: The Consequences of Marriage by Isla Dewar

November 2006: The Valley by Di Morrissey

October 2006: Bellydancing for Beginners by Liz Byrski

September 2006: Listen by Kate Veitch

August 2006: Three Bags Full by Leonie Swann

July 2006: The Shifting Fog by Kate Morton

June 2006: Once Upon a Day by Lisa Tucker

May 2006: Sparkles by Louise Bagshawe

April 2006: The Stone Angel by Katherine Scholes

March 2006: Anybody out there? by Marian Keyes

February 2006: Left bank by Kate Muir

January 2006: Social Crimes by Jane Stanton Hitchcock

December 2005: Love and Other Impossible Pursuits by Ayelet Waldman

November 2005: One Sunday by Joy Dettman

October 2005: The Last Anniversary by Liane Moriarty

September 2005: Plan B by Emily Barr

August 2005: Gone with the Windsors by Laurie Graham

July 2005: Those Garrison Women by Louise Shaffer

June 2005: Family Baggage by Monica McInerney

May 2005: The Italian Romance by Joanne Carroll

April 2005: With No One As Witness by Elizabeth George

March 2005: Sheer Abandon by Penny Vincenzi

February 2005: Where Rainbows End by Cecelia Ahern

January 2005: Serving Crazy with Curry by Amulya Malladi

December 2004: The Tenko Club by Elizabeth Noble

November 2004: The Stockmen by Rachael Treasure

October 2004: The Promise by Lisa Clifford

September 2004: Hello Missus: A Girl’s Own Guide to Foreign Affairs by Lynne Minion

August 2004: Spiking the Girl by Gabrielle Lord

July 2004: At Risk by Stella Rimington

June 2004: The Peacock Emporium by Jojo Moyes

May 2004: Do You Come Here Often? by Alexandra Potter

April 2004: The Other Side Of The Story by Marian Keyes

March 2004: The Walker by Jane Goodall

February 2004: Brother & Sister by Joanna Trollope

January 2004: The Amateur Marriage by Anne Tyler

December 2003: The Time Traveler’s Wife by Audrey Niffenegger

November 2003: Barra Creek by Di Morrissey

October 2003: Three Wishes by Liane Moriarty

September 2003: Love Begins With An A by Jean Vithoulkas

August 2003: Wives and Lovers by Jane Elizabeth Varley

July 2003: The Guilty Heart by Julie Parsons

June 2003: Henry’s Daughter by Joy Dettman

May 2003: Dying for Cake by Louise Limerick

April 2003: Shooting Butterflies by Marika Cobbold

March 2003: Too Close the the Falls by Catherine Gildiner (Flamingo)

February 2003: The Sunday Wife by Cassandra King (Allen & Unwin)

January 2003: The Last Girls by Lee Smith (Hodder Headline)

December 2002: The Innocent by Posie Graeme-Evans (Simon & Schuster)

November 2002: White Gardenia by Belinda Alexandra (HarperCollins)

October 2002: The Dive From Clausen’s Pier by Ann Packer (Piatkus)

About The Great Reads

Everyone, from book-worms to occasional readers, knows that buying a book can be a lottery. There are nearly 10,000 new books published each year in Australia alone, and with new authors springing up all the time, it can be difficult to select the one that is right for you.

The Australian Women’s Weekly makes that task easier with the The AWW Book Club Great Read. Each month, we select one book that comes highly recommended by a dedicated and expert team at The Weekly, a team comprising of people of different ages and tastes, bound by a shared passion for reading and for seeking out memorable books that will become treasured titles on your shelves at home. Our team has the advantage of access to early reviews and news of the popular overseas titles long before they reach the shelves and who’s hot and who’s not, via the London and New York bureaus of The Weekly.

The bottom line is though, if a book is named The Great Read, then you know that the team at AWW have truly loved that book and that they think you will love it too. Stickers titled “The AWW Great Read” will be placed on the front of the book – one of which will be featured in every issue of the magazine – and prominently displayed at most bookshops throughout Australia.

This means your days of wandering around a bookshop, haphazardly trying to find a book for yourself or someone else are at an end. And if you buy an AWW Great Read at your nearest Angus & Robertson book store and present the 10 per cent discount coupon published in this month’s Weekly, you will receive a 10 per cent discount off the recommended retail price. Also, buy an AWW Great Read and one or more of the other books featured on our Book Club pages in the magazine, at Angus & Robertson, present the 15 per cent coupon published in the magazine and receive a discount of 15 per cent off the total recommended retail price.

We wish you many hours of entertainment, enchantment and enlightenment in the world of books.

  • These discounts will not apply where A & R has elected to sell books at a discounted price upon release, but customers will be charged whatever is the lesser price, either the A&R discounted price or The AWW Great Read offer.

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Ann Packer q&a

Q & A with Ann Packer, author of The Dive From Clausen’s Pier (Piatkus, $29.95), which has been selected as The AWW Great Read in the October issue. (Turn to the magazine for a discount coupon and save heaps on the Great Read and other books reviewed in The Weekly).

The Dive From Clausen’s Pier is the story of a young woman who is torn between living her own life and looking after her childhood sweetheart, after he is hurt in an accident. Eventually, she flees to New York where she starts anew, but her conscience and the judgement of family and friends are ever present.

Q Ann, congratulations on your book – I loved it, put my life on hold for two days to finish it.

A Thank you, I’m so glad.

Q Your book took 10 years to write, why so long?

A It was not a matter of putting it aside for long periods. It was a matter of revising and revising and revising. In the course of those 10 years, I rewrote the book nine separate times. The interesting thing is that when I first started writing it I was writing it in the third person. I did four drafts like that in the first five or six years. Then I finally thought I should do it with the main character, Carrie, telling her own story and I tried writing it in the first person. Boy, that made all the difference.

Q Were you confident when you presented the finished manuscript?

A Not really, no. I was hopeful and it took me a long time to find an agent who wanted to represent it. And then, once I did, she found a publisher for it in a week.

Q Is it difficult to get that first manuscript read if you don’t have a high profile?

A Oh, it is. This is not my first book. I wrote a collection of short stories that were published about eight years ago.

Q Did you have a big celebration when they said, ‘Yes, we love it’.

A Oh sure, I was thrilled.

Q Were you prepared for the fuss your book would create?

A No. When the early reviews came through I thought this could go pretty well, then suddenly it just took off very positively and it was everywhere. I think the moment that really counted was when The New York Times Book review put it on the cover and then I went into another dimension. I was over the moon. I said to myself, ‘Ooh, this was never supposed to happen!’

Q Did your difficult childhood (paralysed after a series of strokes, Ann’s father committed suicide), enhance your feelings of pleasure at this singular success?

A I think so. It had a particular quality to it because of the events of my childhood. I kind of made certain assumptions about what could happen in my life and it was very nice to discover that I was wrong. I had assumed wrongly what could and couldn’t happen. What I’m saying is that when you’ve had a difficult childhood, unconsciously, you think that’s what life is like. It was kind of a nice discovery that life wasn’t like that.

Q Do you have brothers and sisters?

A I have one brother and he’s also a writer. He’s published four books, two non-fiction, two fiction. Q A lot of people with difficult lives see it as an impediment to achievement. What you’ve done is inspiring, it says anything’s possible.

A I suppose it does. I’ve had many privileges. Essentially, my background is one of a lot of privileges, but some emotional difficulties. There are all kinds of different ways to overcome something, trauma, illness, so many different possibilities.

Q The book reminds you of how vulnerable we are and yet we keep on living as if we’re not.

A If you allowed yourself to think about how vulnerable you actually are, if you lived with that knowledge all the time, you’d never be able to stand it. You’d really go crazy. It’s self-protective not to dwell on what can happen. If you went the other way you’d be completely helpless, totally paranoid.

Q Knowing how things can suddenly go wrong, do you live your life to the max, appreciating every day?

A No, I don’t think so. I’m subject to forgetting that kind of thing. I’m capable of falling into worry or despair as much as anyone else, even more, perhaps. I think it’s a struggle for me to be hopeful.

Q What did your father do for a living?

A He was a Professor of Law at Stanford University.

Q The ending is a little bit open ended – any thoughts about writing a sequel?

A No, I really haven’t. I am writing a second book, but it’s not a sequel. I feel like I’ve done that story. I feel satisfied with where I left off.

Q Working title for the new book?

A No, It’s very early.

Q Have you had other jobs as well as writing?

A I have taught writing here and there. I’ve worked in publishing. When I first got out of college, I had a job working in publishing for about five years, before I went to graduate school.

Q What did you do?

A I was actually a sort of bunny – a paperback blurb writer. I wrote the copy on the back of paperbacks.

Q That would have honed some of your writing skills?

A It did and you know what else? It was a great thing for someone who wanted to be a writer, because I learned a lot about the business. And the illusions that are particular to it. I did that for five years, then I went to the Iowa Writer’s Workshop.

Q You also lived in France for a year.

A When I first started writing the novel I went there, in the autumn of 1990.I had a grant and went and lived there for a year, near Nice in the south.

Q In a lovely stone cottage or an apartment?

A Somewhere in between, it was part of a not very lovely villa.

Q You chose France for a particular reason?

A We had gone to France on our honeymoon and we had always wanted to go back.

Q How long have you been married?

A Thirteen years.

Q What is your husband’s occupation?

A John is an architect.

Q A theme in your book was how to stay true to yourself and yet be loyal to the people you love, and I thought as the mother of two children, you must experience that problem on an almost daily basis.

A I think so, for this seems to have hit a nerve with people. The book looks at conflict between loyalty and being true to yourself on a kind of grand scale. What do you do? I think that we all face that conflict on a daily basis, from putting the newspaper down and listening to the children, or I need the break for 10 minutes. It matters because I really need it. It’s not an easy call to make – it’s so easy to slip over from ‘I need this 10 minutes’ to being selfish. How do you decide where one starts and the other ends? But on the other side of that is the ‘I have to do this for so and so’, until you’re ragged and not doing anyone any good.

Q When you’re concentrating on writing, do you have set hours or do you write in bursts?

A I do it when I can. I work around my children’s schedule. The hard thing for me is to say no to people. Asking me to help in the classroom. Or friends saying, ‘Let’s have lunch’. It’s hard to say, ‘No, I’m not going to do that I need to write’. But somehow I balance it all, I put it all together in a way that works. I fit in what I can. Some weeks there’s no writing and some weeks are full of writing.

Q I was reading recently that family is the enemy of art.

A In a way, one aspect drags you away from your work, the other enriches it, absolutely. I am the writer that I am, who is also the mother and the wife and the friend. It is an interesting way of life, because no one thing is separate from another.

Q Are you writing full time now?

A Yes, in terms of my work life, I have been writing for the last few years. And the question is, whether it becomes full-time. I have to grab as much time as I can.

Q Is your husband encouraging and supportive, or does he get sick of it?

A No, he’s been encouraging and supportive. I have a wonderful group of readers, a writer’s group who have read the book several times and they have been of great help to me. They’ve been instrumental.

Q Have you sold the movie rights to the book?

A We’re working on it. I have an agent in Hollywood.

Q Where were you born and raised?

A In Stanford, California.

Q Describe where you live?

A I live in a house in a suburb about half-an-hour from San Francisco, about half-an-hour from the Pacific Ocean.

Q Do you have pets?

A No.

Q With children, how did you manage to escape that?

A I just said no.

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Cheese on toast

For more than 20 years, publishing legend, Maggie Hamilton, was privy to the secrets of the rich and famous. As Publicity Director at Random House Australia, she met and toured with dozens of eminent authors, including Frederick Forsythe, Nicholas Evans, Joanna Trollope and singer Michael Crawford who was in Australia earlier this year to promote his autobiography.

“Michael was my last author and he was very special,” says Maggie.

As well as seeing authors at their brilliant best, Maggie also met them when they were jet-lagged, tired, emotional – and plain cranky or badly behaved. “I saw them with their ‘mask’ down,” says Maggie with a broad smile. “But those secrets die with me.”

In recent months, Maggie has done something many people in publishing dream of – she has stepped over the line to become an author and has written her first book, Coming Home (Penguin $29.95). This has meant experiencing the process, from writing the book to going on a publicity tour and being in the hands of another publicist, from a vastly different perspective. “Being on the other side, what you see is the magic.,” says Maggie. ”You spend all this time – the book’s taken two and a half years to write – and then suddenly, it’s out there. There’s that moment of extreme anxiety when you wonder if the vision you hold for the book is going to translate out in the world.” The experience has reminded Maggie of the “the immense amount of love” that goes into the promotion of books. “Being on the other side, it has struck me that publishing is still quite old fashioned in its values in that people within a book company will take your book and give it all the love and attention that you give it yourself. And that’s what we need in the world today. Whether it’s making meals or friendship, there’s a lack of attention being paid to essential things because everybody is so busy. But it’s still there in publishing.”

Coming Home, a non-fiction book about stepping back from the stress and busyness of the twenty-first century to take time out for yourself and rediscover inner peace, has invoked some startling responses among those who have read it. Three of Maggie’s colleagues in publishing resigned to go and do something else. As did a newspaper journalist, who left her job to go to South America for four months. “It’s kind of spooky. I’ve been thinking ‘oh my God, what have I done! I’m going to get drummed out of town.’ My book seems to provoke a lot of emotion in people. I guess because it’s based on my own journey, of corporate life and the horrendous busyness and stress and having to find my way through that.”

Maggie’s journey began when she felt an emptiness inside her, despite the long hours and exciting, event filled days at work. “I had this massive hole inside me, nothing seemed to touch me. We all have beautiful things happen in our life, wonderful friends, great jobs, but it was almost like the more of those things I had, the emptier I felt. ”Looking back, I now think that was the beginning of what could have been severe depression, but because I couldn’t bear to feel like that, I realised I had to do something about it.”

Coming Home tracks Maggie’s search for more depth and meaning in her life and takes the reader from the great deserts of the American south-west, to south-east Asia and to the ancient sites of Britain. It discusses things such as how to transform relationships at home and work. How to deal with those we find difficult or hard to love. Maggie believes that like Sleeping Beauty, parts of people – “those parts that makes us so vital” – end up being shut down in response to the stress of modern life and all its demands. “Whole parts of us end up being asleep and that’s when we end up on a treadmill. Life is on automatic and there seems to be no way beyond it. I got to the stage where I needed all the willpower I had to get out of bed in the morning.”

Women, Maggie believes, have lost touch with their creativity. “In ancient times, women would sit around and do needle work and spin and that is a form of being together in a shared space and it feeds you. It’s got a quietness to it. You can go inside yourself. Lose yourself in the moment. It’s like when your grandmother knitted a jumper for you and you’d be cocooned in love. It’s that kind of attention to detail, to the simple things, that I think we’ve got to get back to.”

Maggie thinks people have made life “terribly complex” and have allowed work to take over. “It just grows and grows until it is almost unbearable, but the terrible fear of being next out the door means that we accept it. The abuse is running right through the workforce, from the junior to the most senior executive. Nobody is winning out of this.”

Bringing back “the love into the little things, the profound things, and in so doing rediscover the magic of everyday life, that is almost our scared quest and responsibility,” says Maggie. “Like sharing a simple bowl of pasta with friends. When you think of our generation growing up, they would come and have tea and have exactly what the family was eating. And it was the sharing together that mattered. Somehow we’ve become very self-conscious. “It doesn’t matter if it’s cheese on toast. That can be a profound moment you can share with somebody, because it’s made with love.”

Maggie is based in Sydney, where she lives with her husband, Derek and an imperious grey cat called Puss. She is working on a second book and she “often,” serves cheese on toast to her friends.

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Start as you mean to go on

Every day presents a new opportunity to feel good about yourself – and how you actually get up and out of bed can profoundly affect the rest of the day.

When you wake up, don’t leap out of bed. Lie still, and spend a little time gradually becoming aware of how you feel Stretch, and slowly flex your arms and push your feet down to the bottom of the bed. Remind yourself of what it means to become and stay truly ‘awake’ to your life and experiences. Visualise yourself as bright-eyed, bushy-tailed, ready to go – and lucky to be alive.

Take three breaths, clear yourself of stale air and shake off the residue of yesterday. Say out loud: “I’m putting aside any negativity I feel”, swing your legs over the side of the bed, and then stand up. Feel your feet connecting with the strong, quiet power of the earth beneath you. Lift your arms, take a deep breath, and imagine sunlight streaming in through the top of your head, filling you with hope and joy. Drop your arms and clasp your hands and say a simple affirmation out loud, such as: “Today I will try to bring truth and kindness to others, and to do the best I can.”

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Sexual healing

Got a headache? Forget the aspirin – think sexy thoughts instead!

Such thoughts can lessen pain, say researchers at Johns Hopkins University in Baltimore, USA.

In the study, students were divided into four groups: one was asked to think of a favourite sex fantasy while they held their hands in ice-cold water for as long as they could stand; the other groups were told to think of something boring, like their daily commute.

The ‘fantasy’ group tolerated the ache of the ice water for an average of three minutes, while the others lasted an average of one minute.

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Fatty acid news

New research confirms that omega-3 fatty acids may help save your heart, and relieve depression.

Harvard School of Public Health researchers recently examined records of nearly 85,000 participants in the Nurses’ Health Study and found a 33 per cent drop in heart disease risk among those who took in the most omega-3s by regularly eating fish.

Plus, scientists at Ben Gurion University in Israel observed that fish oil supplements, which contain omega-3s, may reduce depression symptoms when taken along with patients’ regular antidepressant medication.

To reap the health benefits of omega-3s, load up on foods like flaxseed, leafy greens, and cold-water fish (such as salmon, mackerel and tuna) two to three times a week.

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Don’t panic

*”When written in Chinese, the word ‘crisis’ is composed of two characters. One represents danger, and the other represents opportunity.”

  • John F. Kennedy

Do you feel as though you are just lurching from one crisis to the next? The most important thing you can do when your life is like a pressure cooker is to learn to manage your time, and to set priorities.

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Cross stitch pin cushion

Main

A pretty cross-stitch pin cushion makes the perfect birthday gift and is a great project to get beginners stitching.

MATERIALS

Small amount linen or Aida cloth (approx 14cm x 14cm) DMC stranded cotton in colours indicated on key

Method

Work the design in cross-stitch using 2 strands of cotton, except where indicated otherwise. Click here for pattern

COLOUR KEY

MAIN DESIGN

988 Forest Green – Medium

986 Forest Green – Very dark

211 Lavender – Light

340 Blue Violet – Medium

522 Violet – Medium

550 Violet – Very dark

BACKSTITCHING

Backstitch using 1 strand of

939 Navy Blue – Very dark

FRENCH KNOTS

French knots using 2 strands of

722 Orange Spice – Light

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Garden trolley

Everything that’s needed for gardening can be found on this garden trolley. Mounted on castors, this clever trolley hides spare pots, sprays, potting mix and also has a place to hang your tools.

Materials

Cut the following sizes from waterproof 12mm ply:

back (A) 1300mm x 200mm

side (B) 1300mm x 350mm

side (C) 1300mm x 500mm

top 500mm x 500mm

3 x shelves – 200mm x 338mm

4 x trim – 500mm x 35mm (mitred at one end)

6 x battens – 330mm x 35mm (mitred at one end)

Cut from 70mm x 20mm decking timber:

9 x slats – 500mm long

4 x heavy duty castors – suitable for exterior use

4 x galvanised storage hooks

1 packet – 8g x 30mm countersunk chipboard screws

1 packet – 8g x 200mm screws with built in washers

Exterior acrylic paint

Step 1:

Make base – position six slats equal distance apart then lay the remaining three slats on top and space them evenly. Put one screw in each corner and make square before fixing the other slats with countersunk screws.

Step 2:

Screw shelf support battens in place in sides (B and C). Position straight ends of battens 12mm from the back edge – the back (A) will sit in between these sides.

Step 3

Using a clap to hold in place, position back (A) between sides (B) and (C), screw in place. Slide the three shelves into position to create a tight fit.

Step 4:

To give a more sturdy finish to your garden trolley, a trim is added to the underside of the top. Attach first two pieces of trim on opposite sides. Fix in place to the underside of the top with screws.

Step 5:

Join the top to the main body of the stand. Position the back of the stand (A) flush to an edge of the top without trim and then position the widest side (C) 100mm in from the edges of the top. Mark in pencil of the topi of the stand where the base is positioned underneath to create a guide for screwing. Fix in place checking that the screws are sinking into the wall of the base as you go.

Step 6:

Turn stand upside down and attach remaining trim to the underside of the top. To measure correct length for each side lay trim next to the top, as shown, and mark cutting lines with pencil. Fix trim to remaining sides of top.

Step 7 :

Next secure base in place. Measuring as for the top, screw in place.

Step 8:

Position castors in the corners of the base. Make sure they are not sitting over other screws then fix in place.

Step 9:

Turn right side up and apply two coats of exterior acrylic paint.

Step 10 :

When dry, attach galvanised tool brackets in positions to suit your tools.

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Postcard from byron bay

Blue skies, gorgeous balmy nights, fire dancing, gossip, lots of ideas and wine- they all flowed beautifully at the 2002 Byron Bay Writers Festival.

Around 17,500 people attended, so the crowd was much bigger this year. As usual, the mood was languid and all very laid-back as people wove their way around the marquees erected in the gardens of the Byron Bay Beach Resort.

Here are a few of the snippets and highlights from the festival:

  • Di Morrissey, whose next book, Kimberley Sun, is released in November, hosted her usual great cocktail party at her beautiful Byron home, which was filled with lots of fresh flowers and candles and was looking magical.

  • Heaps of authors and publishers went to her party. Special festival guest, Ita Buttrose, was there, too. Ita was the heroine of the weekend, having woken at 4am in the morning to set off for the 12-hour drive to Byron from Sydney. An ear infection meant she couldn’t fly and she didn’t want to let her hosts down.

  • During a session on The Art of Storytelling, author Arnold Zable (Café Scheerazade, The Fig Tree), suggested story-telling should be made compulsory in Canberra, as it would “nurture” the shrivelled souls of our politicians.

  • At the Finding Your Voice in the First Novel session, young adult author Markus Zusak, described how he was inspired to write a book about brothers robbing a dentist, while he was literally sitting in the dentist’s chair. “I had to pay in cash and because it cost so much, I was thinking that it would be a good place for a hold-up.”

  • Bryce Courtenay, whose new book, Matthew Flinders Cat, comes out in November, reminisced about being introduced to the oral tradition of story-telling by his Zulu nanny who took care of him when he was placed in an orphanage in South Africa at a very young age. After research indicated that many writers had to write four books before they were published, he dashed off The Power Of One thinking it would never see the light of day and, for a long time, used it as a door stop.

  • During one of her festival appearances, Ita Buttrose recalled the time back in the 1970s when Cleo published a nude centrefold of Jack Thompson and the conservative Queensland Literary Board of Review forced the magazine to place a gold square over Jack’s strategically placed hand in all issues that went on sale in the Sunshine State.

  • AWW gardening author, Jackie French, is on the verge of a big deal with the BBC in UK and Fox in the US negotiating the rights to one of her books.

  • Di Morrissey and former Canberra journalist Mungo McCallum took differing views on the panel which discussed Byron Bay: A Sense of Community. Di talked about the flow of creative ideas that magical Byron inspires, while Mungo said it was becoming an elitist enclave for the rich and that spiralling real estate values left no room for diversity or the hippy ideals which gave Byron its flavour and character.

  • During a session on The Propriety of the Media, TV reporter Jeff McMullen whose memoirs, A Life of Extremes, were released earlier this year, was very candid about the commercial pressures applied to TV journalists and the single-minded obsession with ratings among TV executives. Jeff was voted the Mr Popular of the festival for his impeccable good manners, friendliness and charm.

  • At a Sunday session, there was a clash between political journalist and author Margot Kingston and David Leser, author and Walkley Award-winning journalist who works for The AWW and the Bulletin. Afterwards all was forgiven and they exchanged a hug.

  • Image supplied c/o www.byron-bay.com

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