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Extract: the amateur marriage

This book, published by Chatto & Windus ($32.95), has been selected as the Great Read in the January issue of The Australian Women's Weekly. On sale in major book stores everywhere, it will display the red and gold Great Read sticker, recommending it as the outstanding book of the month. The following extract is taken from the first chapter:

This book, published by Chatto & Windus ($32.95), has been selected as the Great Read in the January issue of The Australian Women’s Weekly. On sale in major book stores everywhere, it will display the red and gold Great Read sticker, recommending it as the outstanding book of the month. The following extract is taken from the first chapter: Anyone in the neighbourhood could tell you how Michael and Pauline first met. It happened on a Monday afternoon early in December of 1941. St. Cassian was its usual poky self that day – a street of narrow East Baltimore rowhouses, carefully kept little homes intermingled with shops no bigger than small parlors. The Golka twins, identically kerchiefed, compared cake rouges through the windows of Sweda’s Drugs. Mrs Pozniak stepped out of the hardware store with a tiny brown paper bag that jingled. Mr Kostka’s Model B Ford puttered past, followed by a stranger’s sleekly swishing Chrysler Airstream and then by Ernie Moskowicz on the butcher’s battered delivery bike. In Anton’s Grocery – a dim, cram-packed cubbyhole with an L-shaped wooden counter and shelves that reached the low ceiling – Michael’s mother wrapped two tins of peas for Mrs. Brunek. She tied them up tightly and handed them over without a smile, without a “Come back soon” or a “Nice to see you.” (Mrs Anton had had a hard life.) One of Mrs Brunek’s boys – Carl? Paul? Peter? They all looked so much alike – pressed his nose to the glass of the penny-candy display. A floorboard creaked near the cereals, but that was just the bones of the elderly building settling deeper into the ground. Michael was shelving Woodbury’s soap bars behind the longer, left-hand section of the counter. He was twenty at the time, a tall young man in ill-fitting clothes, his hair very black and cut too short, his face a shade too thin, with the dark whiskers that always showed no matter how often he shaved. He was stacking the soap in a pyramid, a base of five topped by four, topped by threeàalthough his mother had announced, more than once, that she preferred a more compact, less creative arrangement. Then Tinkle, tinkle! And Wham! And what seemed at first glance a torrent of young women exploded through the door. They brought a gust of cold air with them and the smell of auto exhaust. “Help us!” Wanda Bryk shrilled. Her best friend, Katie Vilna, had her arm around an unfamiliar girl in a red coat, and another girl pressed a handkerchief to the red-coated girl’s right temple. “She’s been hurt! She needs first aid!” Wanda cried. Michael stopped his shelving. Mrs Brunek clapped a hand to her cheek, and Carl or Paul or Peter drew in a whistle of breath. But Mrs. Anton did not so much as blink. “Why bring her here?” she asked. “Take her to the drugstore.” “The drugstore’s closed,” Katie told her. “Closed?” “It says so on the door. Mr Sweda’s joined the Coast Guard.” “He’s done what?” The girl in the red coat was very pretty, despite the trickle of blood running past one ear. She was taller than the two neighbourhood girls but slender, more slightly built, with a leafy cap of dark-blond hair and an upper lip that rose in two little points so sharp they might have been drawn with a pen. Michael came out from behind the counter to take a closer look at her. “What happened?” he asked her – onl her, gazing at her intently. Get her a Band-Aid! Get iodine!” Wanda Bryk commanded. She had gone through grade school with Michael. She seemed to feel she could boss him around. The girl said, “I jumped off a streetcar.” Her voice was low and husky, a shock after Wanda’s thin violin notes. Her eyes were the purple-blue color of pansies. Michael swallowed. “A parade’s begun on Dubrowski Street,” Katie was telling the others. “All six of the Szapp boys are enlisting, haven’t you heard? And a couple of friends besides. They’ve got this banner – Watch out, Japs! Here come the Szapps! – and everyone’s seeing them off. They’ve gathered such a crowd that the traffic can hardly get through. So Pauline, here – she was heading home from work; places are closing early – what does she do? Jumps off a speeding streetcar to join in.” The streetcar couldn’t have been speeding all that fast, if traffic was clogged, but nobody pointed that out. Mrs. Brunek gave a sympathetic murmur. Carl or Paul or Peter said, “Can I go, Mama? Can I? Can I go watch the parade?” “I just thought we should try and support our boys,” Pauline told Michael. He swallowed again. He said, “Well, of course.” “You’re not going to help our boys knocking yourself silly,” the girl with the handkerchief said. From her tolerant tone, you could see that she and Pauline were friends, although she was less attractive – a brown-haired girl with a calm expression and eyebrows so long and level that she seemed lacking in emotion. “We think she hit her head against a lamppost,” Wanda said, “but nobody could be sure in all the fuss. She landed in our laps, just about, with Anna here a ways behind her. I said, ‘Jeepers! Are you okay? Well, somebody had to do something; we couldn’t just let her bleed to death. Don’t you people have Band-Aids?” “This place is not a pharmacy,” Mrs Anton said. And then, pursuing an obvious connection, “Whatever got into Nick Sweda? He must be thirty-five if he’s a day!” Michael, meanwhile, had turned away from Pauline to join his mother behind the counter – the shorter, end section of the counter where the cash register stood. He bent down, briefly disappeared, and emerged with a cigar box. “Bandages,” he explained. Not Band-Aids, but old-fashioned cotton batting rolled in dark-blue tissue the exact shade of Pauline’s eyes, and a spool of white adhesive tape, and an oxblood-colored bottle of iodine. Wanda stepped forward to take them; but no, Michael unrolled the cotton himself and tore a wad from one corner. He soaked the wad with iodine and came back to stand in front of Pauline. “Let me see,” he said.

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Q&a: Anne Tyler

Published by Chatto & Windus, and selected as the Great Read in the January issue of The Australian Women's Weekly.

Published by Chatto & Windus, and selected as the Great Read in the January issue of The Australian Women’s Weekly. Q Your book, The Amateur Marriage, begins during the war years – what prompted you to start your story at that particular time? A. Practical reasons, at first. I had to begin the story far enough back to show the whole history of the marriage. But what I didn’t foresee was the great pleasure of settling into the 1940s. The music, the clothes, the street scenes, and above all the general innocence and optimism were so appealing, I hated to leave that time behind. When I reached the 50s I thought, “Oh, drat, on to the bland years.” Q. You were too young to remember WWII, so I imagine that recreating the mood involved considerable research, or was it pure imagination? A. I must confess to relying heavily on a daughter who knows how to work the internet. ‘What perfume did women wear in those days?’, I’d ask her, and zip, zip, she had the answer – not only the brand name, but she could have ordered me an actual bottle! (I’m very impressed with the internet.) Originally I had thought, too, that I could quiz my parents and their friends, but it turns out that people tend to forget the kind of trivia that novelists need. For instance, blackouts: did they have to have their blackout curtains closed every single night, or only when the air-raid siren sounded? Nobody could remember. In the end, it was a friend slightly older than I – someone who’d been 8 or so during the War – who came up with the answer. Q. Was there really a Polish quarter at that time in Baltimore? A. There was, and there still is – a thriving one, although more assimilated now than in the old days. Q. Why did you choose to make some of the main characters Polish? A. I’ve always had the feeling that the characters in my novels are steadily populating a little town–a sort of alternate-universe Baltimore. So far my people have been mostly “white-bread” types. I thought I’d like to add a group with a richer ethnic heritage. Q. Michael and his mother come from a small, tight-knit community – I loved it and it made me think that nowadays they don’t really exist (apart from those horrible gated communities – sorry, hope you don’t live in one), and that we have lost something valuable because of it – would you agree? A. I do agree. I can’t tell you how wistful I felt as I dealt with those neighbours coming and going, gossiping, commiserating, comparing each other’s potluck dishes. It’s my impression that some of that may still exist in the ethnic sections of Baltimore, but as more young outsiders move in, it’s dying out. Q. I found Pauline in her red coat a startling piece of imagery (made me want one) – was that just the stroke of a pen or did you once own a red coat and have fond memories of it? A. I’ve never owned a red coat; I’m not the type who could carry it off. Which illustrates the great joy of writing fiction: I got to carry it off vicariously. Q. Like many of the women in the book, I felt swept up by the romance of war – why did people respond like that to something so ghastly. Was it naivety and innocence and the lack of TV? A. That’s a question that interests me enormously. We have not responded that way to any war within my memory, certainly not Vietnam, not the first Gulf War or (heaven forbid) Iraq. I suspect that a great part of the reason was the vagueness of war’s image in people’s minds. They had nowhere near the clear and horrifying picture that television gave us later. Q. Are you impulsive – or have you always been a more circumspect, careful person? A. Oh, definitely circumspect, to a fault. That’s another example of vicarious living–I loved being inside Pauline’s head for a while, following every passing whim as it took hold of her. Q. Michael and Pauline’s marriage was ‘amateur’ because their decision to marry was so impulsive – but I was thinking that all marriages are amateur in the sense that they’re built on a romantic ideal that cannot possibly survive the realities of two people living together for a long time? A. You are expressing exactly the thought that I hope will occur to my readers. All marriages ARE amateur, really. I can’t even count the friends who have told me that if they’d known what they were getting into when they married, they’d never have dared to do it. I suppose it’s just as well we embark upon marriage so blindly. Q. I found Pauline exasperating but likeable and she was kind – look at how good she is with Pagan. How would you describe her? A. I think that it is precisely those qualities that make her so difficult. Her impetuousness, her unpredictability, her violent extremes of mood were her virtues. She was warm and empathetic and full of vitality, and she added more colour to Michael’s life than he ever could have hoped for on his own. Q. Who is your favourite character in the book and why? A. To my surprise and relief, it’s Pauline: relief because my fear, all along, was that I might be creating a good person/ bad person marriage, which would not be half as interesting as a marriage of two good people who go wrong when they’re together. I had worried I was weighing the scales toward Michael, who is certainly the more reasonable and introspective one. But by the end of the book, it was Pauline I missed the most. Q. Do you see their marriage as a big mistake? A. Oh, yes. Clearly they married for all the wrong reasons, even if they’re reasons every one of us can understand. But they also brought so much to each other. Different choices of mates – say a nice Polish girl for Michael, a WASPy ex-classmate for Pauline – might not have given their lives the same depth. Q. Did they stay together for so long because of love or because their lives were so knitted together, it was difficult to untie them? A. I’m not sure they were fully aware that they had any other option. At least from here, it looks to me as if divorce didn’t come so quickly to mind for people in the old days. Q. Do you still believe in marriage? A. For childbearing couples, I do. Children need two parents. (At least! I remember thinking that three would be even better.) And I like to see two gray-haired people holding hands and tottering along side by side; that always gives me a pang. Q. The sixties had a big impact on the family in your book, how were you affected by that period, and were you ever a hippy or a protest marcher? A. By the time the 60s were in full swing, I was married and living in Canada, well out of it all. Earlier I had participated in my share of civil rights marches and anti-war protests, but then my parents had as well; so you couldn’t call it a rebellion of any sort. Q. Did you experience any of the San Francisco depicted in your book? A. No, none – just the TV glimpses Michael refers to. Then while I was writing the book, I walked around the Haight-Ashbury section just to get a sense of that after-the-party atmosphere. It’s pretty drab and dead now. Q. This is your 16th book – correct? Do the words and story ideas keep tumbling out or do you sometimes find it hard to conjure up a story? A. Oh, my goodness, they’ve NEVER tumbled out! Finding a plot has always been hard for me. (And sometimes, if you’ve noticed, I just go ahead and write the book without one.) I have to sit down and really work at it, concoct something that feels forced and artificial at the start but then comes to life as the characters take over. Q. Can you imagine a life without writing? A. I can’t. It’s an addictive occupation, with its sense of leading alternate lives and that thrilling, miraculous moment when the characters start telling the story. I believe that if you said, “From now on you’ll just be writing for your desk drawer,” I would still have to go on working. Q. You have chosen to live a quiet and private life, avoiding the media blitz – why is that? A. I always say that asking a writer to “go public” is like telling a baker, “Since you bake bread, we’d like you to perform a ballet for us.” By nature, I just prefer to be private, and having written a novel doesn’t alter that. Q. By keeping a low profile, does this mean that you can be quite anonymous and where you live, no-one in the street or supermarket ever says ‘ you’re that famous writer!’ A. Nobody gives me a second glance. Q. Have you ever done a national publicity tour that included the whole shebang – press, book signings etc and if so, how was it? A. Never. I think it would truly destroy me. Q. Do you have what most people would consider a conventional life? A. It’s so conventional it would put you to sleep just hearing about it. Q. Have the film rights to The Amateur Marriage been sold? A. I don’t think so, but I’m always the last to know. My agent handles those mysteries. Q. To whom are you dedicating this book? A. To no one. Actually I’ve dedicated only one book–the one that came out just after my husband’s death, which I dedicated to his memory. Q. Have you ever been to Australia or plan to visit? A. I never have, although it’s one place that really interests me. I used to work in a library with a wonderful woman from Australia, and something about the way she described the air, of all things the way it felt on her skin (I guess she was homesick) made me long to go there.

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Get motivated

How to find motivation to get started and keep going with your New Year weight loss goals?

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How to find motivation to get started and keep going with your New Year weight loss goals? Be Realistic The problem with common New Years resolutions is that we set ourselves changes that mean a major shake-up in our lifestyle and are simply too drastic to stick to in the long-term. Most of us are creatures of habit to a large extent and don’t react well to rapid change or going “cold turkey” on our favourite things. The key is to set yourself realistic goals that fit in with your lifestyle, and to aim for long term benefits, rather than short term gains. Make a fresh start New Year is a great time however to make a fresh start with healthy lifestyle goals. Putting one year to bed and starting anew can be just the motivation some people need to get started. And getting started is the key. We can all fall into a rut and put off the things that we know should be a priority in our life. The magic of success comes when you allow yourself time to adjust to change, take things gradually and trick your body and mind into accepting the “new” as the “everyday”. Start today So, if you’ve been putting off a weight loss plan, why not decide to start today and make one small change towards your goal. You might simply switch your milk from reduced fat to skim, or add a walk after your evening meal. Here are some other ideas on how to get started:

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Top 10 low gi snacks

Snacking is an important part of any healthy eating plan. But what to snack on during that mid-meal break? Karen Inge gives you her top ten treats.

Snacking is an important part of any healthy eating plan. But what to snack on during that mid-meal break? Karen Inge gives you her top ten treats. What’s GI? GI is the abbreviation for glycemic index, the new way of ranking carbohydrate foods. GI measures the rise in blood sugar levels after you eat foods containing carbohydrates. Some foods raise blood sugar levels rapidly to a high level and these are called high GI foods. Low GI foods tend to raise blood sugar levels gradually over a longer period of time. Low GI benefits? Low GI foods are more likely to keep you feeling fuller for longer than high GI foods. They are also more likely to provide a sustained release of energy, so that you can do more mental or physical activity before looking for the next snack or meal. For these reasons, low GI foods are a great choice for anyone wanting to lose weight. Why go low GI with snacks? By incorporating some low GI foods into your meals and going for low GI snacks you will assist your weight loss goals. Snacking is important to keep up your energy levels and curb hunger pangs between meals and low GI choices are more likely to work on both fronts for longer than other foods. The best way to snack right is to remember to pack and carry before you leave home. The Top 10 Low GI Snacks

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Pilates

There is a sport for everyone. Get inspired and try something new. Read on - pilates just might be the fitness solution you've been looking for.

There is a sport for everyone. Get inspired and try something new. Read on – pilates just might be the fitness solution you’ve been looking for. What’s it all about? Pilates is being hailed as the “new yoga”, especially in Hollywood circles. Apparently Madonna credits it to her continued strength and other celebrities have signed up to the new fitness craze. Although not quite as ancient as yoga, Pilates is not that new either, being founded around 80 years ago. It’s simply become hot recently as it attracts celebrity attention. Although the hottest of hot is “Yoaglates classes” which are a mixture of the two! Pilates is a form of exercise which involves mind and body in a combination of stretch and strengthening activities. All the moves are done slowly and require intense concentration on particular muscle groups. In a Pilates studio the sessions are done in small groups using equipment like ropes and pulleys. Pilates concentrates on building your core strength – the muscles that support your back and spine. The benefits are muscle toning, tighter abs, increased flexibility and lowered stress levels. Who’s it for? Individual Pilates sessions can be tailored to focus on a particular problem such as a bad back or neck strain. Instructors work on a rehabilitation program to get your body back on track. Others seek out Pilates simply as a fresh approach to their fitness training, and as a way to achieve tone and flexibility. Josef Pilates, the founder, explained his own definition of fitness as

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Arthritis – the good news

Taken from The Australian Women's Weekly's health title Arthritis: the good news. Buy the Book.
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Why holidays make you sick

Ever wondered why you can stay healthy through a stressful month at work, then come down with a cold as soon as you take a break?

Ever wondered why you can stay healthy through a stressful month at work, then come down with a cold as soon as you take a break? According to new research from the University of California at Los Angeles, you may be relaxing too fast. When you’re stressed, your body produces immune-boosting white blood cells to ward off illness, but when you begin to rest, your body doesn’t make as many, leaving you more vulnerable to infections.

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Right roommates

If you need surgery, make sure you have two things. A great surgeon and a roommate who's just been through the same thing. Researchers from the American Psychological Association have...

If you need surgery, make sure you have two things. A great surgeon and a roommate who’s just been through the same thing. Researchers from the American Psychological Association have released a study showing that bypass surgery patients who shared a room with a patient who was already recovering from surgery were less anxious and were up and about 25 per cent sooner than those with a pre-operative roommate.

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Relieve computer neck

Sitting at a computer all day can be a real pain in the neck. If you are reading this, you're probably sitting at a computer right now. Check your posture, and try these simple stretches. Your body will thank you.

Sitting at a computer all day can be a real pain in the neck. If you are reading this, you’re probably sitting at a computer right now. Check your posture, and try these simple stretches. Your body will thank you. Working at your computer doesn’t have to tighten your neck and shoulders. You can prevent stiffness by sitting correctly, using a chair that encourages you to sit with your lower back curving in towards your stomach and your torso centred over your hips. Keep your shoulders back and low (not inching up to your ears) and your head straight. Additionally, you can relieve neck and shoulder tension with these yoga-inspired stretches: BACK SOOTHER Hold the edge of your desk with your hands shoulder-width apart, then scoot your feet backwards until your spine is flat and parallel to the floor. Breathe in, push against the desk with your hands, drop your head between your arms, and breathe out. Hold the stretch for a few breaths, then breathe in as you stand up. NECK NOD Drop your chin forward a few inches, about halfway to your chest. Keeping your chin pointed down, turn it towards your right shoulder. Raise your right arm over your head and place your right pal on the back left side of your head, pushing very gently until you feel a stretch up the left side of your neck and shoulder. Hold for three breaths, then repeat on the other side. (Note: If neck or shoulder pain is severe, and accompanied by headaches or numbness, seek professional advice from a chiropractor, masseur or osteopath.)

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Charlie the chimp

A fun friend to hang around with – our Charlie the Chimp soft toy will be a hit with children of all ages.

A fun friend to hang around with – our Charlie the Chimp soft toy will be a hit with children of all ages. Enlarge your pattern pieces so each square represents 5cm: Click here for pattern 1 Click here for pattern 2 Materials 70cm x 150cm fur fabric 30cm x 150cm towelling fabric 10cm x 90cm iron-on interfacing 1kg polyester filling 2cm x 10cm Velcro Sew-on eyes or felt (for eyes) Embroidery thread (for nose) 20cm corded piping (for mouth) Cutting Enlarge the pattern pieces from the grid and transfer to light cardboard. Check that the pile of your fabric is running in the right direction, then cut pattern pieces from fur or towelling as indicated. Cut 2 strips, 20cm x 44cm for arms, and 2 strips, 20cm x 42cm for legs. Method Press interfacing to wrong side of face, nose and ear towelling pieces. Ears: With right sides together, pin and sew each pair of ear pieces together, leaving straight side unsewn. Turn out to right side and lightly pad. Topstitch 1cm from curved edge around ear. Stitch again inside ear as marked on pattern. Face: Place right sides of towelling top face pieces together and sew the centre front (CF) seam, matching arrows. Using zigzag-stitch, sew around the outside edge. Nose: With right sides together, pin and sew two nose pieces together matching double arrows. Repeat for other two nose pieces. Mouth: Pin piping along seamline, marked with single arrow, of one joined nose section. With right sides together, pin remaining nose section over the other, sandwiching the piping to form the mouth and sew. Trim and press seams open. Turn nose to right side. Using zigzag stitch sew outside edge. Head: With right sides of front and back head pieces together, pin and sew seams matching double arrows. Pin top face section over right side of front head where indicated on pattern, and sew with close zigzag stitch. Pad nose section. On right side of head front, pin and sew the nose, using zigzag stitch, as marked on pattern. Pin ears to head front where indicated. With right sides together, pin head front to head back. Keeping ears inside, sew seam to dots leaving neck opening as marked. Turn head out to right side. Pad then handstitch neck opening closed. Embroider nose and sew on eyes. Arms and legs: With right sides together sew along 44cm lengths to make two arms and sew along 42cm lengths to make two legs. Turn all four pieces out to right side. Body: With right sides together, pin and sew dart on front and back body pieces. Keeping arms and legs inside body and leaving seam open at neck pin and sew body back to body front. Turn right side out. Fill body with padding through neck opening. Handstitch neck opening closed. Scrunch tummy to form wrinkles as marked by gathering back and forth across the wrinkles. Loosely fill arms and legs. Hands and feet: With right sides together, pin and sew towelling sections to fur fabric sections leaving openings unsewn. Clip curves, turn out and fill with padding. Sew fingers or toes along lines marked on pattern pieces. Turn in arm and leg seam allowances and, using strong thread, handstitch over hands and feet to join. Note how ankle joins to foot on pattern piece. Stitch Velcro tabs to palms and soles. Pin head to shoulders and using strong thread, stitch in position. Pull fur out from seams using a needle. Credits: Sewing by Betty Smith Photography by Claver Carroll

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