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June on the road with The Weekly

On the road with The Weekly

Join in the fun as the Road Train visits towns in NSW, Victoria, South Australia and WA.

A very good Friday

What’s on

Broken Hill Relay for Life

Help the Road Train support The Cancer Council NSW’s Relay for Life at Broken Hill’s Memorial Oval on Saturday, June 2. We will also be featuring cooking demonstrations by The Weekly’s Food Director Lyndey Milan, fashion by Sussan and live music. For details, phone 0428 101 531.

  • Mildura, Friday, June 1

9am-noon: Lime Avenue Off Street Car Park. The Weekly’s food team will create sensational dishes with local produce.

  • Broken Hill, Saturday, June 2

4pm-8pm: Memorial Oval, William Street. We’ll cheer Broken Hill’s Relay for Life and give support to The Cancer Council NSW.

  • Port Pirie, Tuesday, June 5

10am-1pm: 151 Ellen Street. We’ll meet the locals on the Port Pirie foreshore.

  • Port Augusta, Friday, June 8

10am-1pm: Gladstone Square, Mackay Street. Don’t miss a morning of fun.

  • Whyalla, Sunday, June 10

10am-1pm: Westland Shopping Centre car park, cnr Nicolson and McDougall Aves. Fashion, food and beauty activities.

  • Port Lincoln, Monday, June 11

6am-12pm: The Foreshore, Tasman Terrace. Join Steve Jacobs from the Today show next to the statue of Melbourne Cup legend Makybe Diva.

  • Kalgoorlie/Boulder, Sunday, June 17

10am-1pm: Hamilton Street. We’ll be meeting the locals at Boulder Market Day.

  • Esperance, Wednesday, June 20

10am-1pm: Museum Village, Dempster St.

  • Albany, Saturday, June 23

8am-12pm: Collie Street. We can’t wait to taste the local goodies when we join the vibrant Albany Farmers Market.

  • Manjimup, Sunday, June 24

10am-1pm: Finch Street car park. Come along to the new Manjimup Regional AquaCentre and check out the Road Train.

  • Bridgetown, Monday, June 25

10am-1pm: Say g’day to the Road Train at Railway Reserve, cnr Steere and Spencer Sts.

  • Margaret River, Thursday, June 28

10am-1pm: The Weekly’s Pamela Clark will work her magic with food and wine.

  • Busselton, Friday, June 29

10am-1pm: Find out about Revlon’s latest make-up tips at Signal Park, Queen Street.

  • Bunbury, Saturday, June 30

10am-1pm: Bincentennial Square, Blair St.

For more details on locations and times, visit our website at www.aww.com.au/roadtrain or email [email protected]

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*Still Life With Husband*

Still Life With Husband

Exclusive extract from Still Life With Husband (Vintage) by Lauren Fox.

“Nobody’s staring at me!” I say again. “What are you talking about?” But then I see him, the young, dark-haired man sitting alone across the room. He is unshaven in a sexy, can’t-be-bothered way (but also potentially in an unemployed way); he’s stuck a pencil behind one ear, and a thick book lays open in front of him. Surprisingly, he is staring at me. There’s no doubt about it. I look away and my hand darts automatically to my mouth. I wipe non-existent crumbs from my lips. “Is there something hanging off my face?” I whisper. “A booger?” I rub my nose surreptitiously.

“No, Em!” Meg stage-whispers back. “He’s staring at you because you’re a babe!” In fact, I get the ones who are interested in faces with “character.” I’ve been described as dramatic-looking, striking, interesting, and once, “Venezuelan.” I have a mop of shoulder-length curly brown hair that is often more frizz than ringlets, dark brown eyes and a large nose with a bump on the bridge. I get the ones who want exotic-lite. I get the ones who, for whatever reason, don’t want Meg.

As I glance back at the mystery man, he flashes a shy smile and turns back to his book.

“He’s blushing,” Meg says. “You’re making him blush!”

In spite of myself, I’m loving this. I have no qualms about harmless flirting, and I would never do anything beyond it. If a situation like this, which is rare for me to begin with, progressed past smiling and blushing and a little small talk, I’d cut it off. I think about Kevin and what would humiliate or embarrass him if he knew about it. In the unspoken code of ethics of our marriage, that’s as far as I would go. I presume Kevin behaves the same way, and I don’t mind. After all, he lives in the world, too. I’m glad that we’re both young, that we can attract attention. It makes us more attractive to each other. Not long ago I idly mentioned to Kevin that a guy at the library had asked me out. We were in the middle of cooking dinner. Suddenly, Kevin was all over me. “What did he look like?” he asked, pressing himself against me from behind, nuzzling my neck while I chopped carrots. “What did he say to you?” He ran his hands up and down my sides, reached around for my breasts. Is it some alpha-ape thing? The idea must flip a primal switch in a man: if other apes want my female, then I am the prize-winning baboon. For my part, I think about Kevin’s young female coworkers, how they must nurse terrible crushes on their shy, handsome young colleague, and it excites me, too. After all, they don’t get to have him; I do. Maybe that makes me some kind of territorial monkey, too.

Meg takes things a half step further than I do, but that’s it. She, for example, would accept a man’s phone number if he gave it to her. But she wouldn’t call him. Steve is the most mature of us all; utterly devoted to Meg, he pays no attention to the writhing world of human sexuality that still breathes around him. It’s as if it disappeared when he met her. I can understand that, actually. But it’s boring.

“I’m going to get a refill,” I say, grabbing my cup. “Want anything?” Meg is working on her second muffin. She shakes her head and winks at me. ‘Did you just wink at me?” I ask. Meg is laughing as I walk up to the counter.

I wait in line as surly-girl takes her time with another order. After a few minutes, I sense someone behind me, a rustle of clothes, soft breathing. I know it’s him, and my palms actually begin to sweat. He clears his throat and I turn around.

“Hey,” he says, meeting my eye for a second and then looking down. He’s adorable up close, darker than he looked from across the room, and a little bit younger: no older than twenty-eight.

“Hey,” I answer. It’s all I can think to say.

“I, um, I’ve seen you here before.” This is awkward and, at the same time, it feels scripted. But I haven’t acted this part in a long time. ‘I come here some mornings,” he continues, “for a break from work.”

“Oh. What do you do?” I’m trying to act interested but not too eager, cute and mature, but not too mature, all at the same time. But it’s taking up all my energy, diverting the blood flow from my brain.

“I’m a writer,” he says, loosening up. “I’m a reporter for The Weekly. Have you heard of it?”

“Of course I have. I read it all the time.” Right, this is how you do it.

His face lights up. “I write the ‘Local Beat’ column, and I write the cover story about once every two months or so, and I fill in as features editor.”

“Well, that’s … So you’re … ” I’m trying to picture the byline underneath his column, but I can’t. The truth is, I only occasionally glance at the paper. We pick it up mostly for movie listings.

“David,” he says. “Keller.” He offers me his hand and I have to shake it, which ruins my advantage, because my palms are still sweaty.

“Emily Ross,” I say, sounding more formal than I mean to. “Actually, I’m a writer, too.” He’s staring at me now as if I’m telling him I just won the Pulitzer and, in my spare time, have worked up the cure for cancer. “But freelance. For magazines. Women’s magazines.” Oddly enough, although this fact embarrasses me, it seems to impress him.

“Wow, that’s a hard market to break into, I’ve heard. Which ones do you write for?” We’re like old friends now. Except that we’ve just met, we’re having an incredibly awkward conversation, and if I weren’t married, I’d want to sleep with him. I mean, I do want to sleep with him, or at least kiss him, but I am married. It’s the strangest thing.

Book Group Questions

  • Could Emily and Kevin have reached a compromise concerning the different life-styles they wanted or do those differences signal the end of the relationship anyway?

  • Emily is bored with the ‘sameness’ of her relationship with Kevin — is this another sign their marriage was doomed or is it true that all long term relationships become predictable and dull?

  • Is sex with someone new really the answer to Emily’s dissatisfaction?

  • We know that despite everything, she still loves Kevin — do you think they could try to start anew?

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Bindi, Jungle Girl: Kangaroo capers

Bindi with a kangaroo

If you’ve always wanted to know more about animals, Bindi Irwin is the little girl to ask. Each month, Bindi will write about a different animal and answer readers’ questions in the magazine.

Bindi loves kangaroos and wallabies, and is worried that many of them are in danger, but she has advice in our June issue about how we can help.

Pick up a copy of the June issue of The Australian Women’s Weekly to read more about kangaroos and wallabies and see below for information on how to ask Bindi your most pressing wildlife questions.

Question

What is the difference between kangaroos and wallabies?

Liam Rosen, Caloundra, Qld.

Answer

That’s a great question, Liam. Kangaroos are much bigger than wallabies and are a different colour. The other difference is that kangaroos have fine hair on their nose and wallabies don’t.

Got a question for Bindi? Post it to Ask Bindi, The Australian Women’s Weekly, GPO Box 4178, Sydney, NSW 2001 or email [email protected].

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Oprah the last to know about father’s betrayal

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Is my cockatiel a boy or a girl?

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Deborah Thomas celebrates 20 years at ACP

In celebration of Deborah Thomas’ 20 years at Australian Consolidated Press, she talks to www.aww.com.au about the highlights of her stellar career.

Q. Most memorable interview?

A. Russell Crowe for Cleo magazine. He gave me such a hard time.

**Q. Favourite celebrity of all time?

A.** Nicole Kidman because she’s always so gracious and professional.

**Q. Favourite AWW cover of all time?

A.** Bindi Irwin, Christmas 2006.

**Q. Most memorable story that you’ve covered and why?

A.** Crown Princess Mary’s wedding. At first we didn’t think that many people were that interested, but as the momentum built, we just kept adding pages and pages. We all had to come in on the Sunday prior to get it out ASAP but I was anxious that we’d be too late, given that our competitors would be out first. It ended up being one of our best selling issues, so the angst and effort paid off.

**Q. In light of the digital age, how do you see AWW evolving in the years to come?

A.** Because we have such a strong brand, we’re able to take it into so many areas, including online, television shows for both day and prime time, travel partnerships as well as mainstream merchandise. As an editor, I’m a content provider and, as the delivery systems change, so too will we adapt to meet those challenges and new technologies. We’ll continue to provide what we always do — the big personal stories behind the news and a great service section that includes food, health, home, fashion and beauty, albeit in a different format.

**Q: In your position as editor of The Weekly, what would you say is the one thing that the average Australian woman wants more of in her life?

A.**Time with her family.

**Q. What are the biggest challenges facing women today compared to 20 years ago?

A.** Finding the right balance between work and family.

**Q. Where do you see yourself in 20 years time?

A.** Retired and writing books by the sea.

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Seven ways to feel younger — today!

Feeling younger

You can probably recite the obvious habits for good health by heart — don’t smoke, cut down on alcohol and so on. But did you know that singing and cold showers also put time on your side? Try these fun and easy tips today.

  1. Be a clown Children are fearless, but as adults we can become controlled by anxiety. Putting yourself in a position that involves not taking yourself seriously — such as juggling, playing with a hula-hoop or wearing a plastic nose — requires you to revert to your childlike state and leaves you feeling on a high. Visit Theatre Australia (www.theatre.asn.au) to find a clowning workshop near you.

  2. Breathe better Caffeine, tight clothes and eating quickly all conspire to make you hyperventilate (breathe too fast), adding years to your looks and raising your blood pressure. Breathe in through your nose for a count of three and then out for five. With practice, the pause between the in- and out-breaths will lengthen. Practise while commuting or waiting for the kettle to boil.

  3. Jump up and down Researchers at England’s Nottingham University have found that women who jump or skip on the spot 50 times a day live longer. Skipping is both an aerobic exercise (meaning it strengthens the heart and lungs) and a strength-training one (builds muscle and improves bone density, helping to ward off osteoporosis).

  4. Have a cold shower A study from London’s Brompton Hospital shows that cold showers make your heart and lungs work more efficiently, which may help boost immunity and improve circulatory health. Try a two-minute blast after a warm shower every morning.

  5. Sing a song Singing has great psychological and physical benefits: it stops you thinking about mundane and negative things and it increases the levels of oxygen in your body.

  6. Buy bread Research at Chicago’s Smell and Taste Research Foundation has found that re-creating scents from our childhood can instantly make us feel younger. Dr Alan Hirsch, director of the foundation, says, “The olfactory lobe is part of the ’emotional brain’, which is the area that stores memories. The quickest way to access these memories is through smell.” The number one odour that conjures up childhood? Freshly baked bread!

  7. Have great sex Researchers have found that couples with a healthy sex life can look up to seven years younger than those who don’t. Improving the quality of your sex life can help reduce stress — leading to greater contentment and better sleep.

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Why Sicily is your next travel destination

Known as Italy's deep south, Sicily is a charming island where fabulous beaches, delicious regional cuisine and fascinating ancient ruins make for a wonderful holiday.
One of Sicily's hillside towns.

Across the Strait of Messina from mainland Italy is the sun-drenched island of Sicily with its glorious sandy beaches, aquamarine coves, ancient ruins and Mt Etna, Europe’s most volatile volcano that most recently erupted in May 2007.

Its history is as colourful as its fabulous coastline, where Roman ruins, Norman castles and tiny villages cling like limpets to rock platforms on top of cliffs.

A home away from home for restless Greeks in antiquity, Sicily experienced Roman domination and its own renaissance under the enlightened rule of the Moors during the Middle Ages, only to become a pirate haunt and, much later, a headquarters to the Italian mafia.

Covered in vineyards and olive groves, its fertile volcanic soil produces some of Europe’s most succulent and tasty fruit and vegetables. Couple this with fabulous seafood and you soon discover the island has its own rich and irresistible blend of Mediterranean cuisine.

It’s the perfect destination to spend time lazing on the beach before exploring some of the island’s Roman amphitheatres, Greek temples and old pirate haunts hidden away in cathedral-like sea grottos.

Sicilian palace

Seven top places to visit

Palermo

Sicily’s capital is a little shabby — some might even say seedy in some of the poorer parts around the port — but its centre has a faded baroque splendour as dignified as it is decrepit.

A civilised way to get here, after visiting the Amalfi Coast on the mainland, is by overnight ferry from Naples (departs 8.15pm, arrives 6.30am). Get a sleeper cabin and enjoy dinner in the dining room or the cafeteria.

Explore the centre of the old town, around Quattro Canti (Four Corners), then move on to the 12-century Norman Palace, King Roger II’s Royal Chapel (Cappella Palatina) and the Norman district known as the Albergheria.

Don’t miss the Cathedral on the Corso Vittorio Emanuele, the Sant Agostino monastery and the neo-classical Massimo Theatre.

You could spend a week exploring Palermo’s countless churches, but one you shouldn’t miss is the tiny Chiesa di San Cataldo, a former mosque converted by the Normans into a church.

North of Palmero, on top of a mountain overlooking the city, is the massive Monreale Cathedral, a place of pilgrimage, where you can take in the whole city of Palermo.

Cefalú

Two hours on the autostrada east of Palermo is Cefalú, a former fishing village with a charming sea front and medieval centre, but now sadly swamped by modern suburbs. Visit early — before the traffic jams — and take a stroll along the beach for half a kilometre where, looking back, you’ll get a great photo of the old town. Have an early lunch in a restaurant overlooking the Tyrrhenean Sea, where you can make out the silhouettes of the Aeolian Islands in the distance before heading further east to Taormina.

Taormina

This old Roman city sits on a high terrace dominating the sea and has spectacular views west towards Mt Etna. Known as one of the most beautiful natural settings in Italy, it can be best appreciated from the Roman theatre, perched on a rocky outcrop 350 metres above the sea.

From this eagle’s eyrie, the sea sweeps to the horizon in front of you, while in the other direction, the city unfolds as a series of undulating slopes, giving way to vineyards and eventually to the vast bulk of Mt Etna on the northern horizon.

Perched above two coves, Taormina has a cable car that descends into the Bay of Mazzaro, a useful connection — as beach lovers will soon discover if they undertake the arduous walk from cliff top to sand.

One particularly charming restaurant, Il Barcaiolo, is nestled on the edge of the Bay of Mazzaro. Surrounded by lapping water and fishing boats, it serves ocean-fresh seafood dishes under an arbour of grape vines.

Offshore in the other cove is Isola Bella (Beautiful Island), famous for its mysterious villa and garden occasionally open to the public.

Syracuse

Further south, and overlooking the Ionian Sea, is the island town of Syracuse, a former war-mongering Greek city-state founded in 700BC which is now a tranquil backwater joined to the mainland by two bridges.

The Greek ruins on the edge of town are disappointing unless you’re an archaeologist. More fascinating is the medieval old town on the island, known as Ortigia, with its piazzas and magnificent Venetian villas.

At the Piazza Duomo, you’ll find the city’s cathedral, a fascinating medieval structure built around the Greek Temple of Minerva. The massive Doric columns can still be seen inside the building and line its exterior like the ribs of an ancient whale.

Stay in a small hotel in the old town and dine at a seafood trattoria overlooking the sea at the southern tip of Ortigia.

Noto

An hour’s drive inland from Syracuse is the extraordinary town of Noto, built by a group of nobles after the old town was flattened by an earthquake in 1693.

Like a stately wedding cake with golden icing, it sits in the parched interior, the finest and most coherently baroque town in Italy and maybe the world. It’s as if time stopped when they completed building the city in 1700. Nothing appears to have been added or taken away.

Since it was put on UNESCO’s World Heritage List, its palaces, fountains and piazza’s — all made of soft golden limestone — have been restored.

Noto has been called an outdoor architectural museum and makes for a fascinating half-day excursion from Syracuse.

Agrigento

Another ancient Greek colony, Agrigento has been attracting tourists to Sicily’s south-west coast since the German literary giant Goethe put it on the map in the 18th century.

Its chief attraction is the Valley of the Temples, where five Doric temples stand along a ridge, sadly now overshadowed by towering apartment blocks on the hill above. Come during March and April — when the surrounding meadows fill with wildflowers — and keep your back to the ugly modern city as you explore this magnificent site.

Castellammare Del Golfo

This unspoilt fishing village — half an hour’s drive west of Palermo — is the perfect destination to spend your first (or last) night on the island. Connected to the international airport by an autostrada, it takes just 20 minutes to get there after leaving the terminal — making it the perfect destination for travellers arriving late in the evening or leaving early in the morning.

Several seafood restaurants overlook the town’s sandstone harbour, where a little fleet of blue and white fishing boats are moored. The sea around Castellammare is brilliant turquoise and seems to glow under the slate grey rocky peaks of the surrounding mountains.

Half an hour away by car, in a perfect pastoral setting, is the Temple of Segesta, built by the survivors of those who fled the destruction of ancient Troy.

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The Stefanovic family’s fabulous knits

The Stefanovic's model their knits

Follow our patterns to create the five gorgeous garments worn by TV host Karl Stefanovic and his family [pictured, left to right: Karl, Ava, Jackson, Cassandra, River].

Abbreviations

alt = alternate; beg = begin, beginning; cm = centimetres; cont = continue; dec = decrease, decreasing; foll = follows, following; inc = increase, increasing; K = knit; M1 = make one stitch; P = purl; patt = pattern; psso = pass the slipped stitch over; rem = remain/ing; rep = repeat; st/s = stitch/es.

Special abbreviation ‘K1B’

Knit one below To knit one below, insert the right hand needle through the center of the stitch on the left hand needle. Knit this in the usual way, drawing the loop through, then drop the stitch above off the needle.

NOTE: It’s best to use the yarn specified for these garments, as other yarns may give unsatisfactory results. Quantities are approximate, as they can vary between knitters.

Knitting stitch covers an already knitted stitch in a contrasting colour. Using a wool needle, bring it from the back through the centre of the stitch below the one you want to cover. Take needle from right to left under both strands of the stitch. Bring needle back to the start of the stitch, take it behind 2 strands in the row below and across into the centre of the next stitch. Repeat for required number of stitches.

Contacts

Patons www.patons.biz

Cleckheaton www.cleckheaton.biz

Shepherd www.shepherdyarns.biz

Assistance line ph 1800 333 642.

Measurements(in centimetres)

S M L XL

To fit size

8-10 12-14 16-18 20-22

Finished measurement

95 105 115 125

Length

82 83 84 85

Sleeve length

43 43 43 43

Materials

Cleckheaton Merino Spun (100g balls)

Quantity

13 14 16 17

You will need

  • One pair of 6.00mm knitting needles or the required size to give correct tension

  • 1 stitch-holder

  • 3 buttons

  • Plain yarn and wool needle for sewing seams.

Tension

This handknit has been designed at a tension of 14 sts and 32 rows to 10cm over patt, using 6.00mm needles.

Back

Using a pair of 6.00mm needles, cast on 69 (75-83-89) sts. 1st row (wrong side) — Knit.

2nd row — K1, ‘K1B’, P1, rep from to last 2 sts, ‘K1B’, K1.

Last 2 rows form patt for Fisherman’s Rib. Cont in patt until work measures 62cm from beg, working last row on wrong side.

Shape armholes: Keeping patt correct, cast off 2 sts at beg of next 2 rows … 65 (71-79-85) sts.

Dec one st at each end of next and foll 4th rows until 57 (61-69-73) sts rem.

Cont in patt (without further dec) until work measures 75 (76-76-77) cm from beg, working last row on wrong side.

Tie a marker at each end of last row.

Work a further 20 (22-24-26) rows patt.

Shape shoulders: Keeping patt correct, cast off 7 (7-9-9) sts at beg of next 2 rows, then 7 (8-9-10) sts at beg of foll 2 rows. Leave rem 29 (31-33-35) sts on a stitch-holder.

Left front

Using a pair of 6.00mm needles, cast on 39 (41-45-49) sts.

1st row (wrong side) — Knit.

2nd row — K1, ‘K1B’, P1, rep from to last 2 sts, ‘K1B’, K1.

Last 2 rows form patt for Fisherman’s Rib.

Cont in patt until work measures same as Back to beg of armhole shaping, working last row on wrong side. **

Shape armhole: Next row — cast off 2 sts, patt to end … 37 (39-43-47) sts.

Work 1 row patt.

Keeping patt correct, dec one st at beg of next and foll 4th rows until 33 (34-38-41) sts rem.

Cont in patt (without further dec) until work measures same as Back to markers, working last row on wrong side.

Work 1 row.

Shape neck: Next row — cast off 7 (7-8-8) sts, patt to end … 26 (27-30-33) sts.

Keeping patt correct, dec one st at neck edge in every row until 19 (22-27-28)sts rem, then in foll alt rows until 14 (15-18-19) sts rem.

Work 1 row patt.

Shape shoulder: Keeping patt correct, cast off 7 (7-9-9) sts at beg of next row.

Work 1 row patt.

Cast off rem 7 (8-9-10) sts.

Right front

Work as given for Left Front to **.

Work 1 row patt.

Shape armhole: Next row — cast off 2 sts, patt to end … 37 (39-43-47) sts.

Keeping patt correct, dec one st at end of next and foll 4th rows until 33 (34-38-41) sts rem.

Cont in patt (without further dec) until work measures same as Back to markers, working last row on wrong side.

Shape neck: Next row — cast off 7 (7-8-8) sts, patt to end … 26 (27-30-33) sts.

Work 1 row patt.

Keeping patt correct, dec one st at neck edge in every row until 19 (22-27-28)sts rem, then in foll alt rows until 14 (15-18-19) sts rem.

Work 2 rows patt.

Shape shoulder: Work as given for Left Front shoulder shaping.

Sleeves

Using a pair of 6.00mm needles, caston 31 (33-33-35) sts.

Beg Patt:

1st row (wrong side) — knit.

2nd row — K1, ‘K1B’, P1, rep from to last 2 sts, ‘K1B’, K1.

Last 2 rows form patt for Fisherman’s Rib. Keeping patt correct and working increased sts into patt, inc one st at each end of 6th and foll 10th (8th-8th-8th) row/s until there are 47 (37-47-49) sts, then in foll 12th (10th-10th-10th) rows until there are 55 (59-61-63) sts.

Cont in patt (without further inc) until work measures 43cm from beg, working last row on wrong side.

Shape top: Keeping patt correct, cast off 2 sts at beg of next 2 rows … 51 (55-57-59) sts. Dec one st at each end of next and foll 4th rows until 43 (45-47-47) sts rem.

Work 1 row patt.

Cast off 6 sts at beg of next 4 rows, then 5 (6-7-7) sts at beg of foll 2 rows.

Cast off rem 9 sts.

Neckband

Join shoulder seams. With right side facing, using 6.00mm needles and beg at end of cast off for neck, knit up 20 (20-23-25) sts evenly along neck shaping to shoulder seam, patt across sts on Back neck stitch-holder, then knit up 20 (20-23-25) sts evenly along neck shaping to beg of cast off for neck … 69 (71-79-85) sts.

Work in patt as given for Back, until work measures 17cm from beg, working last row on wrong side. Cast off loosely in patt.

To make up

Placing centre of sleeve to shoulder seams, sew in sleeves evenly. Join side and sleeve seams. Fold neck band in half and slip stitch in position and loosely stitch openings tog. Make 3 buttonhole loops (1. Make a couple of long stitches along the edges where you want a buttonhole loop; 2. Work buttonhole stitch over these threads, pushing stitches up close to each other; 3. Fasten off securely) and attach buttons as illustrated.

Measurements (in centimetres)

This garment is designed to be a generous fit.

Months/years

6 12 18 2 4

Fits underarm

45 50 52.5 55 60

Garment measures

52 59 63 66 73

Length

29 33 38 41 46

Sleeve length

16 19 21 23 28

Materials

Shepherd Baby Wool 4 ply 50g balls

1st colour (C1)

1 1 1 2 2

2nd colour (C2)

2 2 2 3 3

3rd colour (C3)

1 1 2 2 3

You will need

  • 1 pair each 3.25mm (No 10) and 2.75mm (No 12) knitting needles or the required sizes to give correct tension.

  • A stitch-holder.

  • 5 (6-7-8-8) buttons.

  • A wool needle for sewing up.

Tension

This handknit has been designed at a tension of 28 sts and 36 rows to 10cm over stocking st, using 3.25mm needles.

Back

Using 2.75mm needles and C1, cast on 75 (85-91-95-105) sts.

Knit 11 (11-11-17-17) rows garter st (1st row is wrong side).

Change to 3.25mm needles.

Using C2, work in stocking st until work measures 17 (20-25-27-31) cm from beg, ending with a purl row.

Tie a coloured thread at each end of last row to mark beg of armholes, as there is no armhole shaping.

Cont in stocking st until work measures 28 (32-37-40-45) cm from beg, ending with a purl row.

Shape shoulders: Cast off 6 (7-8-8-9) sts at beg of next 6 rows, then 5 (7-7-8-9) sts at beg of foll 2 rows.

Leave rem 29 (29-29-31-33) sts on a stitch-holder.

Left front

Using 2.75mm needles and C1, cast on 37 (42-45-47-52) sts.

Knit 11 (11-11-17-17) rows garter st (1st row is wrong side).

Change to 3.25mm needles.

Using C2, work in stocking st until work measures 17 (20-25-27-31) cm from beg, ending with a purl row. **

Tie a coloured thread at end of last row to mark beg of armhole.

Cont until there are 13 (15-15-17-19) rows less than Back to beg of shoulder shaping, thus ending with a knit row.

Shape neck: Next row — cast off 7 (7-7-8-8) sts, purl to end … 30 (35-38-39-44) sts. Dec at neck edge in every row until 23 (28-31-32-36) sts rem.

Work 5 (7-7-9-10) rows.

Shape shoulder: Cast off 6 (7-8-8-9) sts at beg of next and alt rows 3 times in all. Work 1 row. Cast off rem 5 (7-7-8-9) sts.

Right front

Work as for Left Front to **.

Tie a coloured thread at beg of last row to mark beg of armhole.

Cont until there are 14 (16-16-18-20) rows less than Back to beg of shoulder shaping, ending with a purl row.

Shape neck: Next row — cast off 7 (7-7-8-8) sts, knit to end … 30 (35-38-39-44) sts.

Work 1 row.

Dec at neck edge in every row until 23 (28-31-32-36) sts rem.

Work 6 (8-8-10-11) rows.

Shape shoulder: Cast off 6 (7-8-8-9) sts at beg of next and alt rows 3 times in all.

Work 1 row. Cast off rem 5 (7-7-8-9) sts.

Sleeves

Using 2.75mm needles and C1, cast on 45 (47-49-53-53) sts.

Knit 11 (11-11-17-17) rows garter st (1st row is wrong side).

Change to 3.25mm needles.

Using C3, work in stocking st, inc at each end of 3rd and foll 4th rows until there are 61 (65-67-61-61) sts, then in foll 6th row/s until there are 63 (69-73-75-81) sts.

Cont without shaping until work measures 16 (19-21-23-28) cm (or length desired) from beg, ending with a purl row. Shape top: Cast off 6 (7-7-8-8) sts at beg of next 6 rows, then 7 (7-9-7-10) sts at beg of foll 2 rows. Cast off the rem 13 sts.

Neckband

Using back-stitch, join shoulder seams. With right side facing, using 3.25mm needles and C1, knit up 23 (24-24-27-28) sts evenly along right side of neck, knit across sts from back stitch-holder, then knit up 23 (24-24-27-28) sts evenly along left side of neck … 75 (77-77-85-89) sts.

Knit 9 rows garter st.

Cast off loosely knitways.

Right front band

With right side facing, using 2.75mm needles and C1, knit up 66 (75-88-101-108) sts evenly along front edge and side of neckband.

Knit 3 rows garter st.

4th row — K4, K2tog, yfwd, K12 (11-11-11-12), rep from to last 6 sts, K2 tog, yfwd, K4 … 5 (6-7-8-8) buttonholes.

Knit 5 rows garter st.

Cast off loosely knitways.

Left front band

Work to correspond with other front band, omitting buttonholes.

To make up

Using wool needle and desired colours, knitting-stitch embroider butterfly to centre of each front. Using straight st, embroider feelers. Using back-stitch, sew in sleeves evenly between coloured threads, placing centre of sleeves to shoulder seams. Join side and sleeve seams. Sew on buttons.

Measurements (in centimetres)

This garment is designed to be a generous fit.

Months (approx)

0 3 6 9 12 18

Fits underarm

35 40 45 47 50 53

Garment measures (approx)

42 48 53 56 59 63

Length (approx)

22 26 29 31 33 35

Sleeve length (approx)

11 13 16 18 19 21

Materials

Shepherd Colour 4 Me 50g balls

Main colour (M)

3 3 4 4 5 6

1st contrast (C1)

1 1 1 1 1 2

You will need

  • 1 pair each 4.00mm (No 8) and 3.25mm (No 10) knitting needles or the required sizes needed to give correct tension.

  • A stitch-holder.

  • A wool needle.

  • 5 (5-5-6-6-6) buttons.

Tension

This handknit is designed at a tension of 22 sts and 36 rows to 10cm over patt, using 4.00mm needles.

Back

Using 3.25mm needles and C1, cast on 50 (54-58-62-66-70) sts.

Knit 7 rows garter st (1st row is wrong side).

Note: This instruction has been written specifically for the stitch pattern given. Using any other stitch may result in a garment that is the wrong shape or size.

Change to 4.00mm needles and beg patt.

Using M, 1st row — Knit.

2nd row — Knit.

3rd row — K2, P2, K2, rep from to end.

4th row — P2, K2, P2, rep from to end.

5th row — Knit.

6th row — Knit.

7th row — P2, K2, P2, rep from to end.

8th row — K2, P2, K2, rep from to end.

Rows 1 to 8 incl form patt.

Cont in patt until work measures approx 12 (15-17-18-20-21) cm from beg, ending with a 4th or 8th patt row.

Shape armholes: Keeping patt correct, cast off 3 sts at beg of next 2 rows … 44 (48-52-56-60-64) sts.

Dec one st at each end of next row, then in every foll alt row until 40 (44-48-50-54-56) sts rem.

Cont in patt without shaping until work measures 22 (26-29-31-33-35) cm from beg, working last row on wrong side.

Shape shoulders: Cast off 5 (6-7-7-8-8) sts at beg of next 2 rows, then 5 (5-6-6-7-8) sts at beg of foll 2 rows.

Leave rem 20 (22-22-24-24-24) sts on a stitch-holder.

Left front

Using 3.25mm needles and C1, cast on 23 (26-27-30-31-34) sts.

Knit 7 rows garter st (1st row is wrong side).

Change to 4.00mm needles and beg patt.

Using M, 1st row — Knit.

2nd row — Knit.

3rd row — K2, P2, rep from to last 3 (2-3-2-3-2) sts, K3 (2-3-2-3-2).

4th row — P3 (2-3-2-3-2), K2, P2, rep from to end.

5th row — Knit.

6th row — Knit.

7th row — P2, K2, rep from to last 3 (2-3-2-3-2) sts, P3 (2-3-2-3-2).

8th row — K3 (2-3-2-3-2), P2, K2, rep from to end.

Rows 1 to 8 incl form patt.

Cont in patt until work measures same as Back to beg of armhole shaping, ending with same patt row.

Shape armhole: Keeping patt correct, cast off 3 sts at beg of next row … 20 (23-24-27-28-31) sts.

Dec one st at armhole edge in alt rows until 18 (21-22-24-25-27) sts rem.

Cont in patt without shaping until work measures 4 (4-4-5-5-6) cm less than Back to beg of shoulder shaping, working last row on right side.

Shape neck: Next row — cast off 4 (5-5-5-5-6) sts, patt to end … 14 (16-17-19-20-21) sts.

Dec one st at neck edge in every row until 10 (11-13-13-15-16) sts rem.

Cont in patt without shaping until work measures same as Back to beg of shoulder shaping, ending with same patt row.

Shape shoulder: Cast off 5 (6-7-7-8-8) sts at beg of next row. Work 1 row. Cast offrem 5 (5-6-6-7-8) sts.

Right front

Using 3.25mm needles and C1, cast on 23 (26-27-30-31-34) sts.

Knit 7 rows garter st (1st row is wrong side).

Change to 4.00mm needles and beg patt.

Using M, 1st row — Knit.

2nd row — Knit.

3rd row — K3 (2-3-2-3-2), P2, K2, rep from to end.

4th row — P2, K2, rep from to last 3 (2-3-2-3-2) sts, P3 (2-3-2-3-2).

5th row — Knit.

6th row — Knit.

7th row — P3 (2-3-2-3-2), K2, P2, rep from to end.

8th row — K2, P2, rep from to last 3 (2-3-2-3-2) sts, K3 (2-3-2-3-2).

Rows 1 to 8 incl form patt.

Cont in patt until work measures same as Back to beg of armhole shaping, ending with same patt row.

Work 1 row patt.

Shape armhole: Keeping patt correct, cast off 3 sts at beg of next row … 20 (23-24-27-28-31) sts.

Dec one st at armhole edge in next row, then in every foll alt row until 18 (21-22-24-25-27) sts rem.

Cont in patt without shaping until work measures 4 (4-4-5-5-6) cm less than Back to beg of shoulder shaping, working last row on wrong side.

Shape neck: Next row — cast off 4 (5-5-5-5-6) sts, patt to end … 14 (16-17-19-20-21) sts.

Work 1 row patt.

Dec one st at neck edge in every row until 10 (11-13-13-15-16) sts rem.

Cont in patt without shaping until work measures same as Back to beg of shoulder shaping, ending with same patt row.

Work 1 row patt.

Shape shoulder: Cast off 5 (6-7-7-8-8) sts at beg of next row. Work 1 row. Cast off rem 5 (5-6-6-7-8) sts.

Sleeves

Using 3.25mm needles and C1, cast on 26 (30-30-34-34-38) sts.

Knit 7 rows garter st (1st row is wrong side).

Change to 4.00mm needles and beg patt.

Using M, 1st row — Knit.

2nd row — Knit.

3rd row — K2, P2, K2, rep from to end.

4th row — P2, K2, P2, rep from to end.

5th row — Inc in first st, Knit to last st, inc in last st … 28 (32-32-36-36-40) sts.

6th row — Knit.

7th row — (inc in first st) 1 (0-0-0-0-0) time/s, K0 (1-1-1-1-1), P2, K2, P2, rep from to last st, K0 (1-1-1-1-1), (inc in last st) 1 (0-0-0-0-0) time/s … 30 (32-32-36-36-40) sts.

8th row — P2 (1-1-1-1-1), K2, P2, K2, rep from to last 2 (1-1-1-1-1) st/s, P2 (1-1-1-1-1).

Cont in patt (8 rows form patt rep) and working extra sts into patt, inc one st each end of next (next-next-3rd-3rd-5th) row, then in every foll-alt (4th-4th-8th-6th-10th) row until there are 36 (38-36-46-40-50) sts, sizes 0, 3, 6 and 12 months only; then in foll 4th (6th-6th-8th) rows until there are 40 (42-44-48) sts.

All sizes: Cont in patt without shaping until work measures approx 11 (13-16-18-19-21) cm (or length desired) from beg, ending with a 4th or 8th patt row.

Shape top: Keeping patt correct, cast off 2 sts at beg of next 2 rows … 36 (38-40-42-44-46) sts.

Dec one st at each end of next row, then in every foll alt row until 10 sts rem.

Work 1 row. Cast off.

Neckband

Using a wool needle and running-stitch seam, join shoulder seams. With right side facing, using 3.25mm needles and C1, knit up 13 (14-14-16-16-18) sts evenly along right side of neck, knit across sts from back stitch-holder, then knit up 13 (14-14-16-16-18) sts evenly along left side of neck … 46 (50-50-56-56-60) sts.

Knit 7 rows garter st.

Cast off loosely knitways.

Right front band

With right side facing, using 3.25mm needles and C1, knit up 46 (54-62-66-71-76) sts evenly along right front edge. Knit 3 rows garter st.

4th row — K2, yfwd, K2tog, K8 (10-12-10-11-12), yfwd, K2tog, rep from to last 2 sts, K2 … 5 (5-5-6-6-6) buttonholes.

Knit 3 rows garter st.

Cast off loosely knitways.

Left front band

With right side facing, using 3.25mm needles and C1, knit up 46 (54-62-66-71-76) sts evenly along left front edge.

Knit 7 rows garter st.

Cast off loosely knitways.

To make up

With a slightly damp cloth and warm iron, press lightly on wrong side. Using a wool needle, sew in all ends. Using a wool needle and running-stitch seam, join side and sleeve seams. Sew in sleeves. Sew on buttons. Press seams.

Measurements

Months (approx)

0 3 6 9 12 18

Beanie (cm, fits head approx)

35 40 43 46 49 49

Shepherd yarn required

Colour 4 Me 50g balls

Main colour (M – aqua)

1 1 1 2 2 2

Small quantity of 4 contrast colours (C1 orange, C2 pink, C3 purple and C4 green).

What you will need

  • 1 pair 4.00mm (No 8) knitting needles and 1 pair 3.25mm (No 10) knitting needles or the required sizes to give correct tension.

  • A wool needle.

Tension

This handknit has been designed at a tension of 22 sts and 30 rows to 10cm over stocking st, using 4.00mm needles.

Beanie

Using a pair of 3.25mm needles and C1, cast on 73 (85-91-97-103-103) sts.

Using C1, 1st row (wrong side) — Knit.

Knit 16 rows garter st in stripes of 2 rows each C2, C3, M, C4, M, C3, C2 and C1, thus completing brim.

Change to 4.00mm needles.

Using M for rem, work in stocking st, beg with a purl row, until work measures 6 (6-7-7-8-8) cm from beg of needle change, ending with a purl row.

Shape crown: 1st row — K1, K2tog, K10 (12-13-14-15-15), rep from to end … 67 (79-85-91-97-97) sts.

2nd and alt rows — purl.

3rd row — K1, K2tog, K9 (11-12-13-14-14), rep from to end … 61 (73-79-85-91-91) sts.

5th row — K1, K2tog, K8 (10-11-12-13-13), rep from to end … 55 (67-73-79-85-85) sts.

7th row — K1, K2tog, K7 (9-10-11-12-12), rep from to end … 49 (61-67-73-79-79) sts.

9th row — K1, K2tog, K6 (8-9-10-11-11), rep from to end … 43 (55-61-67-73-73) sts.

Cont dec in this manner (working one st less between dec each time) in alt rows until 19 sts rem.

Next row — P1, P2tog, rep from to end … 10 sts.

Work in stocking st on these 10 sts for a further 10 (10-11-11-12-12) cm, ending with a purl row.

Break off yarn, run end through rem sts, draw up tightly and fasten off securely.

To make up

Using a wool needle, sew in all ends. Using wool needle and back-stitch, join seam, reversing seam for garter st rows of brim. Fold brim in half onto right side. Tie 10 (10-11-11-12-12) cm at top of crown into a knot as pictured. Press seam.

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Princess Mary has shown off an enviably svelte and toned body less than two weeks after giving birth to her little princess.

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