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Woman we admire: Kate McClymont

Woman we admire: Kate McClymont

Kate McClymont takes the Walkley Award for print news in Canberra 2012.

Let’s say you’re a shonky property developer, or maybe a shady businessman, a dodgy politician, a union official with your snout in the trough and your hands deep in other people’s pockets. Maybe you’re somebody whose expense claims don’t add up; maybe you live in an extravagant mansion that you could not, given that you are a humble servant of the state, possibly afford.

You’re sitting back in your office one day, dirty hands clasped over your fat belly, and the phone rings, and the sweetest voice imaginable says: “Hello there! My name’s Kate McClymont and I’m a journalist with The Sydney Morning Herald.”

You’d jump out the window, wouldn’t you?

You would if you had any sense. You’d take the fastest exit from the building, run straight home, get your passport, and board the next plane to whatever non-extradition country your lawyer can find, stopping not even to put a suitcase of ill-gotten gains together.

You’d do so because you’d know in your heart that when Kate’s got the smell of a story, she’s like a dog with a bone. She isn’t ever going to let go.

Events this week prove that impish Kate — who has worked for the Herald pretty much exclusively since 1985 — is one of the best reporters in the world.

It’s because of Kate that the organisation known as ICAC — basically, the corruption watchdog in NSW — has today recommended criminal charges against two of the ALP’s most powerful figures, Eddie Obied (nickname: He Who Must Be Obeyed) and Ian McDonald (nickname: Sir Lunch-a-Lot).

The details are complicated, but when you boil it down, ICAC’s report says that corruption to the tune of at least $100 million flourished while Labor was in power in NSW — and it was Kate that found the first loose threads, and it was Kate that pulled on them until the fabric of lies lay, unravelled, at her feet.

She did so despite that fact that Eddie, who has sued her many times, once threatened her (presumably with more legal action?) saying: “I tell you what, you put one word out of place and I will take you on again. You are a lowlife. I will go for you, for the jugular.” (For the record, Mr Obeid has this morning denied that he’s corrupt, and looks forward to his day in court.)

It’s not the only story she’s broken, and the stakes are often high. A few years ago, a businessman, Michael McGurk, turned up at her office to say that he feared for his life, and a week later, was shot dead. She hasn’t backed away from that yarn, either.

It’s not just that Kate’s good. She’s also modest. She is not like those reporters you see on TV, all sharp-suited and full of themselves. The mantelpiece groans under the awards she’s collected, and yet she’s as impish and unaffected as when she started, 30 years ago. She’s very often out there on her own with her stories — a forward scout for reporters who aren’t as brave — with one eye-brow comically arched, and it wouldn’t be one of Kate’s stories if there wasn’t a little cheek with the beef.

Exhibit A, from today’s Herald: “Mr Obeid had bad luck when it came to fires. In July 1983, fire destroyed the offices of his newspaper, El Telegraph, in Marrickville. Bad luck was to follow him to his newspaper’s new premises, where, in 1992, there was another fire. Mr Obeid also had the misfortune of two fires at his former home in Concord.”

Kate could have run for the hills, but stayed instead on his tail. As to why she does so, Kate told the Australian Press Freedom Dinner last year that the chief responsibility of the media is to do exactly what she does: to give the public faith “that we did not look the other way.”

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Great read: Longbourn

Great read: Longbourn

Longbourn by Jo Baker, Doubleday.

Did the publishers back in 1813 have any inkling of the level of popularity Jane Austen’s Pride and Prejudice would reach? Possibly not. Yet, 200 years later, that appeal is still palpable, so English author Jo Baker has either done a very smart or a very naive thing with her new novel Longbourn, a retelling of the classic tale from the servant quarters’ viewpoint.

Of course, with the global success of Downton Abbey, there is a certain appetite for upstairs/downstairs period pieces, but Longbourn, the name of the Bennet family’s country estate, is more than that. Inherent in this tale of endless wash days, loveless marriages and secret pasts is a pertinent examination of the class war that would inevitably topple the aristocrats from their lofty heights a century later.

“However much I identified with Elizabeth, I knew that if I’d lived in Austen’s day, I wouldn’t have got to go to the ball,” says Jo Baker about her inspiration for the book.

“My family were in service not so long ago — my grandma and her sisters all worked as maids. Knowing that, it perhaps made me more aware than I otherwise would have been of the servants’ presence in the book [Pride and Prejudice]. The errands that are run, the meals served — it’s rather pragmatic of me, perhaps, but I found myself wondering, who washed Elizabeth’s petticoats when she got them inches deep in mud?”

The story of Sarah, a housemaid whose passion and knuckle-bleeding work ethic put the Bennet sisters’ self-indulgent shenanigans to shame and whose unerring love for new footman James drives her to seemingly reckless abandon, runs in parallel to Elizabeth Bennet’s own famous love affair with the haughty Mr Darcy. Interwoven are a clutch of intriguing sub-plots.

The arrival of black footman Ptolemy in housekeeper Mrs Hill’s kitchen and Sarah’s instant attraction to this exotic creature provides pause for thought, as does the truth of Mrs Hill’s own marriage of convenience, teasingly revealed, and of her unique relationship with the head of the house. And tying the strands together is the arrival of footman James, who is hired with no references and a back story ridden with holes.

Who is this tortured soul? Why does he shy away from the militiamen who call on the ladies of the house? What brutal things have happened to make him so mistrustful? And will he and Sarah ever be together? Although a little plodding at the start, the pace soon picks up with deeply affecting war scenes and a warmth to the central characters that pays definite homage to Jane Austen’s creations.

**TELL US WHAT YOU’RE READING NOW

**

In 30 words or less, tell us what is great about a book you are reading at the moment. The best critique will win The AWW Cooking School cookbook, valued at $74.95, and be printed in the next issue of The Weekly. Simply leave your review in the comments section below.

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Nigella Lawson’s fatal attraction

Nigella Lawson's fatal attraction

In the August issue of The Weekly, William Langley reveals the true story behind Nigella Lawson's marriage and divorce.

Nigella Lawson and Charles Saatchi are set to divorce — just weeks after the multi-millionaire was pictured choking his celebrity chef and TV star wife.

Photographs of an apparently terrified Nigella Lawson being grabbed by the throat by the burly hands of her 70-year-old husband shocked the world when they were published by a London newspaper.

But in the August issue of The Weekly, London writer William Langley tells the real story of their complicated marriage, and reveals over the past year talk that all was not well in the life of Nigella Lawson has hummed over London’s fashionable lunch tables.

The odd couple, whose break-up has played out in the public eye over the weeks since multi-millionaire Saatchi was pictured choking his domestic goddess wife, are expected to appear in court today to finalise their ‘quickie divorce’ after 10 years of marriage.

The celebrity chef and TV star has been at the centre of a very public saga which saw her flee her marital home and was left reeling after Saatchi announced in a Sunday newspaper he would be seeking divorce following the photographed attack which he described as a “playful tiff”.

The couple are reported to have signed a pre-nup before they wed in 2003, and witnesses have come forward saying the violent incident that once publicised, led to the end of their marriage.

But as Langley writes in The Weekly, behind the abusive public “tiff” and the divorce that has played out in front of the public, is a passionate, complicated relationship between two people who crave love.

He describes each of the pair as “lost souls” with “almost nothing in common”, and reveals the complex relationship that has crumbled before the public eye.

Read more of this story in the August issue of The Australian Women’s Weekly.

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Meet Olivia Wells: The face of a modern Miss Universe

Meet Olivia Wells: The face of a modern Miss Universe

Miss Universe Australia Olivia Wells is putting her medical studies on hold to contest the crown.

You’ve heard of Jennifer Hawkins, Laura Dundovic and Jesinta Campbell, but the latest big Australian name to crack the international beauty pageant circuit is Olivia Wells, and this won’t be the last you’ll hear of her.

Training to become a paediatric surgeon, the 19-year-old medical student and committed charity worker may not seem like your typical beauty pageant contestant, but the newly crowned Miss Universe Australia is the face of a modern pageant queen.

The Melbourne teenager has postponed her studies to pursue the demands of the competitive beauty circuit, and she’s used to being asked why.

As Olivia acknowledges in an interview in the August issue of The Weekly, the only thing more constant than the Miss Universe contest is the criticism that surrounds it.

“People have this perception that all beauty queens are airheads and medical students are nerds who sit in their rooms and study all day. But the two are not mutually exclusive,” she says.

“I like to study, but I also like to dress up. I think, in life, rounding is the most important thing.”

Olivia has already forged a well-rounded career in her 19 years, having worked in Tongan hospitals and volunteering to tutor school-age refugees in suburban Melbourne.

And while it’s undeniable she also knows how to rock an evening gown, the newly crowned Miss Universe Australia convincingly dispels the notion that pageant are not the exclusive realm of the professionally vapid, and argues her commitment to charity work and her studies qualify her for the title of Miss Universe rather than separate her from her competitors.

In an interview with news editor Bryce Corbett, Olivia breaks down the modern beauty pageant and explains why she’s putting off her studies to compete.

She acknowledges she’s got big stilettos to fill, following predecessors Rachael Finch, Jesinta Campbell and Jennifer Hawkins, and reveals what she hopes to achieve in the competition she initially entered “for a bit of a laugh”.

“I want to do everyone proud,” she says.

“I want to do myself proud, I want to do Australia proud. I’m certainly not going into this competition without the idea of wanting to win it.”

Read more of this story in the August issue of The Australian Women’s Weekly.

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Stars without make-up: ‘This is who I am’

Stars without make-up: 'This is who I am'

Actress Anna McGahan has stripped back her on-screen facade to be photographed make-up-free for The Weekly.

Celebrities are expected to look flawless at all times. This is how we’re used to seeing them and to see them differently, bare-skinned, for example, the complete opposite of how they appear when on-screen or in magazine shoots, when they’re sporting full make-up and are under flattering lights, can be a shock.

But, as beauty director Kelly Baker discovers in the August issue of The Weekly, it’s a good shock.

Stripping back their on-screen facade, The Weekly photographed five of Australia’s best-known faces as rarely see them — without make-up, and the results are striking.

Being photographed without make-up wasn’t an issue for House Husbands actress Anna McGahan who prefers a natural looks anyway, but was aware her fans might be surprised by the images.

“I feel most myself when I am completely stripped back and wearing no make-up at all,” she told The Weekly.

“That’s when I’m at my most confident. That’s me.”

The 25-year-old actress hopes other young women will embrace the message that while make-up can present a certain image, your true self will always shine through.

Joining Anna in fronting the camera without a lick of make-up is actress Susie Porter, who warmed to the idea after finding being photographed fresh-faced a little daunting, and breakfast TV queen Samantha Armytage, who admits to being very hard on herself, and was pleased with the shot taken after along day of filming Sunrise which had her out of bed at 3:30am.

“It made me realise just how harshly I judge myself… how we all do,” Sam says.

Read more of this story in the August issue of The Australian Women’s Weekly.

Women of Australia! Priceline invites you to put your freshest face forward and join us as we pamper women across Australia. Support our major Priceline Sisterhood event and bare your face for the sisterhood — forgo wearing makeup and visit Martin Place, Sydney, or Priceline stores nationally for makeovers with the Priceline Beauty Advisors. All donations from the day will benefit the Priceline Sisterhood charity Look Good … Feel Better. See priceline.com.au for details.

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Breakfast wars: Why Samantha Armytage is TV’s next big gamble

Breakfast wars: Why Samantha Armytage is TV's next big gamble

Samantha Armytage has spoken to The Weekly about the rise to her new gig as Sunrise host.

What really went on behind the scenes when country girl Samantha Armytage unseated the queen of breakfast TV, Melissa Doyle? In the August issue of The Weekly, Associate Editor Michael Sheather talks to the self-confessed party girl about newsroom feuds, finding a man and filling big shoes.

Samantha Armytage has given her first interview since taking on Sunrise as she steps into the enormous shoes of the incredibly successful Mel Doyle to become co-host of Seven’s breakfast program.

In a wide-ranging interview in The Weekly, Sam speaks candidly about why she took the job and how she’s handling the transition.

She opens up about the incredible scrutiny she has faced since being offered the role which she says came as a “total surprise”.

From her parents’ property in southern NSW where Sam travelled for the shoot, she speaks candidly about her rise from “ordinary country kid” to breakfast TV queen, and the “huge responsibility” of the role she is about to step into.

A self-confessed party girl, Sam discusses how she’ll make the transition into her new gig and the huge shoes she has to fill, and speaks about love and relationships, and how she’ll handle the competitive world of breakfast TV.

Read more of this story in the August issue of The Australian Women’s Weekly.

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The Weekly’s royal baby souvenir edition

The Weekly's royal baby souvenir edition

The image of a mother and baby is special at any time, but the one you see on the cover of this month’s souvenir edition of The Australian Women’s Weekly is historic.

When the Duchess of Cambridge appeared on the steps of St Mary’s Hospital in London with newborn Prince George in her arms, the world was watching. It marked the moment when Catherine stepped into the role of Diana, as the woman charged with raising a future king.

I am quietly confident that this month’s Women’s Weekly cover will become a collector’s item alongside the cover this magazine did back in 1982 of a 20-year-old Diana as she faced the world in a polka-dot dress with a tightly wrapped William in her arms.

It also represents the continued evolution of a young woman formerly known for being the “commoner who married a prince” — another step in her transformation to become a future queen. A woman who is vital to the future of the modern monarchy.

During her courtship with Prince William, Catherine presented flawlessly. Through the period of their engagement, she strode assuredly. And as the world watched the royal wedding she didn’t put a foot wrong.

Catherine and William’s wedding in 2011 made for another special souvenir issue of The Weekly that is one of my personal favourites and has also been a favourite among our readers.

Since that moment she has seemingly effortlessly shouldered the not insignificant pressure to deliver the next heir to the British throne.

To give you an idea of how excited we were to bring you this souvenir issue celebrating Catherine becoming a mother and marking the arrival of HRH Prince George of Cambridge, we actually stopped the presses to bring you the best possible coverage.

I hope you agree that our 17-page picture special captures the magic of this special event.

Read more of this story in the August issue of The Australian Women’s Weekly.

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Jessica Gomes shines on David Jones catwalk

Jessica Gomes had big shoes to fill last night as she walked the David Jones season launch catwalk for the first time since replacing Miranda Kerr as the face of the department store.

And she nailed it.

Stepping into the role with confidence the 27-year-old former Sports Illustrated and Victoria’s Secret model walked that catwalk like she owned it.

In a showcase that featured monochrome, low-key hues, plenty of lace and wild prints, Gomes said she was honoured to be modelling some great Australian designers’ creations.

Jessica Gomes in the night’s showstopper by Camilla.

The 27-year-old model made her debut as DJs brand ambassador.

She’s well versed in swimsuit modelling having covered Sports Illustrated many times.

Gomes models a Ginger and Smart jumpsuit.

In another brightly coloured look from Camilla.

Gary Bijeni was another designer showcased at the Spring/Summer season launch.

Tigerlily swimwear was on display.

Lover was another big name among Australian designers on the DJs catwalk.

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Why my son is different

Why my son is different

Four-year-old model, Julius, has Down syndrome, but that's not what makes him special.

Julius is four years old, he has Down syndrome, and he is featuring in his second advertising campaign. Here, his mum Catia Malaquias tells us what makes him unique, and what makes him just like any other kid.

“So, what is different about Julius?” I asked my 5 year-old daughter Laura, trying hard to sound matter-of-fact.

We were talking about being a unique individual — how everyone is a little bit different and yet we are all the same in lots of ways — and after applying the question to some of her friends and family members, we came to her four-year-old brother, who has Down syndrome.

I had anticipated that conversation hundreds of times since Julius was born; the day that Laura would finally ask about her brother’s condition and I thought that moment had arrived. You see, I always wanted Laura first to know her brother for the little person he is rather than for the medical label that others would generally see and had decided that we would have the talk only when it became relevant to her world and she initiated the discussion.

But her response wasn’t quite what I expected. “Easy!” she said, “he’s a model and he’s even been in a magazine!” At about the same time, my youngest — 2 year-old Drea — piped up with “Juju doing mo-del-ling!” And Julius who was sitting at a table drawing, jumped up from his chair, threw his hands up in the air and doing one of his “camera poses” said, “look mummy — mo-del-ling!”, to the laughter and giggles of his sisters.

It’s been exactly six months since Julius featured in his first advertising campaign for eeni meeni miini moh and The Australian Women’s Weekly published a story, in its February 2013 issue, about Julius and his modelling adventure. Since then, Julius and I have flown to Brisbane for another two separate photo shoots, the most recent being for a new Spring Summer 2013 collection ad campaign for eeni — launched this month.

In many ways, life for our family hasn’t changed much — each day was, and still is, filled with the usual challenges of juggling the needs of a young family, work pressures and the demands that most other families face, with the odd “curve-ball” thrown in for good measure.

But in other ways, life has changed. What was a spur-of-the moment decision, to suggest to eeni that they should consider featuring a child like Julius in their ad campaigns — born out of a desire to broaden the spectrum of the types of children represented in mainstream advertising — has turned into something that Julius absolutely enjoys and which has given him the opportunity to embark on an adventure that so far has been filled with unbridled enthusiasm, fun experiences, new friends and an invaluable sense of being good at something new — at something that is his. And to my delight, Julius seems good at it.

I remember being a bit taken aback when someone at the first photo shoot suggested that, because Julius was not self-conscious in front of the camera, he was “a natural”. I had taken Julius along hoping, at best and in the pursuit of a “greater good”, that he would endure having his photo taken but really expecting the worst — a full blown tantrum for which I would have to apologise profusely for having wasted everyone’s time. Instead, on each occasion Julius has loved his turn in the limelight — and after each photo set at the last shoot I had to pull him away as he asked for “More, MORE!”

For his big sister in particular, Julius’ modelling adventure has been a source of interest and pride and she delights in telling anyone who will listen, particularly her little school friends from her “Show and Tell” soapbox, about her brother’s trips to Brisbane and how he has his picture in a catalogue, on a billboard and in a magazine. Not that she is surprised — after all, she always says “Julius is the coolest little brother ever”.

We have been overwhelmed and touched by the response of readers from all parts of the community to Julius’ story in AWW. Sometimes we find ourselves talking to people — at the shops, in restaurants, in parks — who tell us about the little boy model they read about a few months ago, and then, with some incredulity, realise that the “other” boy they are talking about is actually Julius — the little rascal at their feet.

As for my husband and I, the support we have received from AWW, eeni and in particular the broader community has encouraged us to continue to pursue what we see as crucial to the outcomes for Julius and his sisters: a shift in cultural attitudes and perceptions towards people with disabilities. We do this on a day-to-day level by encouraging Julius’ full participation in every sense and by trying to live life as a typical family without letting a medical label define us or our aspirations for Julius. But, more broadly, we think it is important to challenge unhelpful stereotypes whenever possible by presenting children like Julius for who they really are — ordinary yet rich and diverse people, with disability being only one of many factors that makes them unique individuals in their own right.

In case you are left wondering if Laura knows about her little brother’s condition, she recently said to me that the reason Julius sometimes takes a bit longer to learn “rules” is because of “the thingy Julius was born with and which I wasn’t born with”, to which I replied “what thingy?” “Oh you know mum, the Down syndrome” after which she continued to roll her playdough at the kitchen table, seemingly unfazed, and I continued to chop onions, which was just as well because at least I had an explanation for the tears that welled in my eyes — not because of sadness but because of pride and gratitude for my little family that never ceases to surprise me with their resilience, love and celebration of one another.

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Princess Diana was set to marry Pakistani surgeon

Princess Diana was set to marry Pakistani surgeon

Princess Diana and Jemima Khan on a hospital visit in Pakistan

The real love of Princess Diana’s life was Pakistani heart surgeon Hasnat Khan, a new interview has revealed.

Jemima Khan, a friend of Diana’s and the ex-wife of Hasnat’s cousin Imran, spoke to Vanity Fair about the late princess’s plans to move to Pakistan in order to marry the man she dated from 1995 to 1997.

“Diana was madly in love with Hasnat Khan and wanted to marry him, even if that meant living in Pakistan,” Jemima told the magazine.

Although Diana was in a relationship with Dodi Fayed at the time of her death in 1997, friends claim this was only because Hasnat had refused to commit to marriage.

“[Diana] came to visit me twice in Pakistan to help fundraise for Imran’s hospital, but both times she also went to meet his family secretly to discuss the possibility of marriage to Hasnat,” Jemima added.

“She wanted to know how hard it had been for me to adapt to life in Pakistan, and she wanted advice on how to deal with Pakistani men and their cultural baggage.”

But she noted that for Hasnat to marry an English girl would be “every conservative Pashtun mother’s worst nightmare”.

Diana’s friend Rosa Monckton also spoke to Vanity Fair about Hasnat and Diana’s relationship, claiming that he had been the one to initiate the break-up. Rosa insists that Diana’s subsequent relationship with Dodi was purely to make Hasnat jealous.

The upcoming movie Diana, starring Naomi Watts as the princess, is based on her relationship with the Pakistani surgeon. Hasnat, however, refused to have any part in the making of it, confirming what Diana told friends about him being “the one person who will never sell me out”.

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